The Ensamble Nacional del Sur (ENS) is an electro-acoustic ensemble located in Buenos Aires, which specialises in contemporary classical music. The ensemble was founded by composer and conductor Oscar Edelstein in 1997 as a group of research, creation, and independent music production. Now in its third generation of musicians, the group has performed many times in a number of Edelstein's acoustic theatre works, including El Caballo Fantasma (2012), the first part of the trilogy La Teoría Sagrada del Espacio Acoustico – Libro I (2000–2001) which according to Edelstein is about "the conflict between religion and technology, or if you wish, between creation and technology", Klange, Klange, Urutau (1997) and El Hecho (1994).
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| - Ensamble Nacional del Sur (en)
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| - The Ensamble Nacional del Sur (ENS) is an electro-acoustic ensemble located in Buenos Aires, which specialises in contemporary classical music. The ensemble was founded by composer and conductor Oscar Edelstein in 1997 as a group of research, creation, and independent music production. Now in its third generation of musicians, the group has performed many times in a number of Edelstein's acoustic theatre works, including El Caballo Fantasma (2012), the first part of the trilogy La Teoría Sagrada del Espacio Acoustico – Libro I (2000–2001) which according to Edelstein is about "the conflict between religion and technology, or if you wish, between creation and technology", Klange, Klange, Urutau (1997) and El Hecho (1994). (en)
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| - Ensamble Nacional del Sur (en)
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| - Ensamble Nacional del Sur (en)
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| - Buenos Aires, Argentina (en)
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| - The Ensamble Nacional del Sur (ENS) is an electro-acoustic ensemble located in Buenos Aires, which specialises in contemporary classical music. The ensemble was founded by composer and conductor Oscar Edelstein in 1997 as a group of research, creation, and independent music production. Now in its third generation of musicians, the group has performed many times in a number of Edelstein's acoustic theatre works, including El Caballo Fantasma (2012), the first part of the trilogy La Teoría Sagrada del Espacio Acoustico – Libro I (2000–2001) which according to Edelstein is about "the conflict between religion and technology, or if you wish, between creation and technology", Klange, Klange, Urutau (1997) and El Hecho (1994). (en)
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