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Eulalios (Greek: Ευλάλιος) was a famous Byzantine painter who lived during the 12th century, a time in which most art was done anonymously. His name was noted by several writers of the time who also described his paintings, such as Nicephorus Callistus and Nicholas Mesarites. Of his works, the most famed was the dome of the now-demolished Church of the Holy Apostles in Constantinople. The painting is a depiction of Christ Pantocrator. Nicephorus Callistus' description of the painting: Nicholas Mesarites' description of the painting:

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  • Eulalios (Greek: Ευλάλιος) was a famous Byzantine painter who lived during the 12th century, a time in which most art was done anonymously. His name was noted by several writers of the time who also described his paintings, such as Nicephorus Callistus and Nicholas Mesarites. Of his works, the most famed was the dome of the now-demolished Church of the Holy Apostles in Constantinople. The painting is a depiction of Christ Pantocrator. Nicephorus Callistus' description of the painting: Nicholas Mesarites' description of the painting: (en)
  • Eulalios fue un reconocido pintor bizantino que vivió durante el siglo XII, en un momento en que la mayoría de las obras artísticas eran realizadas anónimamente. Su nombre fue señalado por varios escritores de la época, quienes también describieron sus pinturas, como Nicéforo Calixto y . De sus obras, la más famosa fue la cúpula de la Iglesia de los Santos Apóstoles en Constantinopla, ahora demolida. La pintura es una representación de Cristo Pantocrátor.​ Descripción de la pintura de Nicéforo Calixto: Descripción de la pintura de Nicolás Mesarites: (es)
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  • Eulalios (Greek: Ευλάλιος) was a famous Byzantine painter who lived during the 12th century, a time in which most art was done anonymously. His name was noted by several writers of the time who also described his paintings, such as Nicephorus Callistus and Nicholas Mesarites. Of his works, the most famed was the dome of the now-demolished Church of the Holy Apostles in Constantinople. The painting is a depiction of Christ Pantocrator. Nicephorus Callistus' description of the painting: Either Christ himself came down from heaven and showed the exact traits of his face to [the painter] or else the famous Eulalios mounted up to the very skies to paint with his skilled hand Christ's exact appearance. Nicholas Mesarites' description of the painting: [The dome] exhibits an image of the God-man Christ looking down, as it were, from the rim of heaven towards the floor of the church and everything that is in it. . .His head is in proportion to his body that is represented down to the navel, his eyes are joyful and welcoming to those who are not reproached by their conscience, but to those who are condemned by their own judgement, they are wrathful and hostile. . .The right hand blesses those who walk a straight path, while it admonishes those who do not and, as it were, checks them and turns them back from their disorderly course. The left hand with its fingers spread apart as possible, supports the Gospel. (en)
  • Eulalios fue un reconocido pintor bizantino que vivió durante el siglo XII, en un momento en que la mayoría de las obras artísticas eran realizadas anónimamente. Su nombre fue señalado por varios escritores de la época, quienes también describieron sus pinturas, como Nicéforo Calixto y . De sus obras, la más famosa fue la cúpula de la Iglesia de los Santos Apóstoles en Constantinopla, ahora demolida. La pintura es una representación de Cristo Pantocrátor.​ Descripción de la pintura de Nicéforo Calixto: O Cristo mismo bajó del cielo y le mostró los rasgos exactos de su rostro [al pintor] o bien el famoso Eulalio ascendió a los cielos para pintar con su diestra mano la apariencia exacta de Cristo.​ Descripción de la pintura de Nicolás Mesarites: [La cúpula] exhibe una imagen de Cristo el Dios-hombre mirando hacia abajo, por así decirlo, desde el borde del cielo hacia el piso de la iglesia y todo lo que está en ella...Su cabeza es proporcional a su cuerpo que está representado hasta el ombligo, sus ojos son alegres y dan la bienvenida a aquellos que no son reprochados por su conciencia, pero a aquellos que están condenados por su propio juicio, le son hostiles e iracundaos...La mano derecha bendice a quienes llevan un recto camino, mientras que amonesta a quienes no lo hacen y, por así decirlo, los examina y los hace volver de su curso desordenado. La mano izquierda, con los dedos separados hasta donde es posible, sostiene el Evangelio.​ (es)
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