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About: Ex-Lady     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFilmsDirectedByRobertFlorey, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatAmericanFilmsyago:WikicatBlack-and-whiteFilmsyago:WikicatComedy-dramaFilmsyago:WikicatWarnerBros.Filmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:Remake104074329yago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1930sRomanticComedyFilmsyago:Wikicat1933Filmsyago:WikicatEnglish-languageFilmsyago:WikicatFilmRemakesyago:WikicatFilmsDirectedByRobertFlorey New Facet based on Instances of this Class

Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. The screenplay by David Boehm is a remake of the Barbara Stanwyck film Illicit (1931), both crediting a story (actually a play) by Edith Fitzgerald and Robert Riskin. The film focuses on a pair of lovers, commercial illustrator Helen Bauer (Bette Davis) and advertising writer Don Peterson (Gene Raymond), who have been living together quite happily (in separate apartments) for some time. One night, after hiding in Helen’s bedroom until their party guests have all left, Don announces that he is tired of sneaking around. He wants marriage—and possibly children—and Helen finally agrees, although she is afraid that it will wreck their relationship. Her predictions of trouble—increased by the stresses of opening the