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About: Ezra Sims     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat21st-centuryComposers, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingpersonyago:WikicatAmericanComposersyago:WikicatAmericanMusicEducatorsyago:WikicatLivingPeopleyago:WikicatMicrotonalComposersyago:WikicatPeopleFromBirmingham,Alabamayago:Adult109605289yago:Artist109812338yago:Associate109816771yago:CausalAgent100007347yago:Colleague109935990yago:Composer109947232yago:Creator109614315yago:Educator110045713yago:LivingThing100004258yago:Musician110339966yago:Object100002684yago:Organism100004475yago:Peer109626238yago:Person100007846yago:PhysicalEntity100001930yago:Professional110480253yago:WikicatGuggenheimFellowsyago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:Wikicat20th-centuryClassicalComposersyago:Wikicat20th-centuryComposersyago:Wikicat21st-centuryComposers New Facet based on Instances of this Class

Ezra Sims (January 16, 1928 in Birmingham, Alabama — January 30, 2015 in Boston, Massachusetts) was one of the pioneers in the field of microtonal composition. He invented a system of notation that was adopted by many microtonal composers after him, including Joseph Maneri. I seem finally to have identified and made transcribable what my ear was after all along: a set of pitches ordered in an asymmetrical scale of 18 (or 19) notes, some of them acoustically more important than others, transposable through a chromatic of 72 pitches in the octave. (1978)