In narratology, fabula (Russian: фабула, IPA: [ˈfabʊlə]) equates to the thematic content of a narrative and syuzhet (Russian: сюжет, IPA: [sʲʊˈʐɛt]) equates to the chronological structure of the events within the narrative. Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".
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| - Fabula and syuzhet (en)
- Fabula och sujett (sv)
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| - Fabula (ryska: фабула) och sujett (ryska: сюжет (info)) är två ursprungligen ryska begrepp inom litteraturvetenskapen som ofta kontrasteras mot varandra. Fabula - med samma etymologi som fabel - utgör där det som faktiskt hände, medan sujett utgör den ordning och det sätt som det som hände presenteras i. Det kan även uttryckas som att fabula "är berättelsestoff som av en sujett organiseras i en narrativ struktur." Begreppet började användas från och med 1920-talet av de inflytelserika kritikerna och ryska formalisterna Viktor Sklovskij och Vladimir Propp. (sv)
- In narratology, fabula (Russian: фабула, IPA: [ˈfabʊlə]) equates to the thematic content of a narrative and syuzhet (Russian: сюжет, IPA: [sʲʊˈʐɛt]) equates to the chronological structure of the events within the narrative. Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized". (en)
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| - In narratology, fabula (Russian: фабула, IPA: [ˈfabʊlə]) equates to the thematic content of a narrative and syuzhet (Russian: сюжет, IPA: [sʲʊˈʐɛt]) equates to the chronological structure of the events within the narrative. Vladimir Propp and Viktor Shklovsky originated the terminology as part of the Russian Formalism movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized". Since Aristotle's Poetics, narrative plots have been described as having a beginning, middle, and end. Classical narratives tend to have synchronous fabula and syuzhet, but they may be treated in an asynchronous manner according to a modern or postmodern style. An asynchronous effect is often achieved in postructuralist film and novels via flashbacks or flashforwards. For example, the film Citizen Kane starts with the death of the main character, and then tells his life through flashbacks interspersed with a journalist's present-time investigation of Kane's life. The fabula of the film is the actual story of Kane's life the way it happened in chronological order, while the syuzhet is the way the story is told throughout the movie, including flashbacks. (en)
- Fabula (ryska: фабула) och sujett (ryska: сюжет (info)) är två ursprungligen ryska begrepp inom litteraturvetenskapen som ofta kontrasteras mot varandra. Fabula - med samma etymologi som fabel - utgör där det som faktiskt hände, medan sujett utgör den ordning och det sätt som det som hände presenteras i. Det kan även uttryckas som att fabula "är berättelsestoff som av en sujett organiseras i en narrativ struktur." Begreppet började användas från och med 1920-talet av de inflytelserika kritikerna och ryska formalisterna Viktor Sklovskij och Vladimir Propp. (sv)
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