"For Blood or Money" is the fourth episode of the second season of the American Western crime drama television series Justified. It is the 17th overall episode of the series and was written by co-producer Wendy Calhoun and directed by John Dahl. It originally aired on FX on March 2, 2011.
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| - "For Blood or Money" is the fourth episode of the second season of the American Western crime drama television series Justified. It is the 17th overall episode of the series and was written by co-producer Wendy Calhoun and directed by John Dahl. It originally aired on FX on March 2, 2011. (en)
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| - List of Justified episodes (en)
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| - * Margo Martindale as Mags Bennett
* Jeremy Davies as Dickie Bennett
* Chadwick Boseman as Ralph "Flex" Beeman
* Kaitlyn Dever as Loretta McCready
* Jakobe Dempsey as Nick Moss
* Steven Flynn as Emmitt Arnett
* Brad William Henke as Coover Bennett
* Juanita Jennings as Rachel's Mother
* Joel McCrary as Olander
* Michael Mosley as Kyle Easterly
* William Ragsdale as Gary Hawkins
* Joseph Lyle Taylor as Doyle Bennett
* Larenz Tate as Clinton Moss (en)
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- Elmore Leonard (en)
- Carl Beverly (en)
- Fred Golan (en)
- Graham Yost (en)
- Michael Dinner (en)
- Sarah Timberman (en)
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| - "For Blood or Money" is the fourth episode of the second season of the American Western crime drama television series Justified. It is the 17th overall episode of the series and was written by co-producer Wendy Calhoun and directed by John Dahl. It originally aired on FX on March 2, 2011. The series is based on Elmore Leonard's stories about the character Raylan Givens, particularly "Fire in the Hole", which serves as the basis for the episode. The series follows Raylan Givens, a tough deputy U.S. Marshal enforcing his own brand of justice. Following the shooting of a mob hitman, Raylan is sent to Lexington, Kentucky to investigate an old childhood friend Boyd Crowder, who is now part of a white supremacist gang. In the episode, Rachel's recently paroled brother-in-law is on the run, and Raylan has to make sure Rachel's emotional involvement doesn't affect the case. According to Nielsen Media Research, the episode was seen by an estimated 2.64 million household viewers and gained a 1.0/3 ratings share among adults aged 18–49. The episode received positive reviews from critics, who praised the character development, emotional tone and performances (especially Erica Tazel). (en)
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