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About: Frances Day     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat20th-centuryAmericanActresses, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatAmericanFilmActressesyago:WikicatAmericanStageActressesanimaleukaryotespeciesschema:Personyago:WikicatPeopleFromEastOrange,NewJerseyyago:Actor109765278yago:Actress109767700yago:CausalAgent100007347yago:Entertainer109616922yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:Wikicat20th-centuryAmericanActresses New Facet based on Instances of this Class

Frances Day (born Frances Victoria Schenk; December 16, 1907 – April 29, 1984) was an American actress and singer who achieved great popularity in the UK in the 1930s. Her career began as a nightclub cabaret singer in New York City and London. She made her London stage debut as a double act at the New Cross Empire with the dancer John Mills (later a distinguished actor), billed as "Mills and Day". This led to a chorus role in the 1929 West End production of The Five O'Clock Girl at the Hippodrome, which toured the provinces in 1930. She married Beaumont Alexander, an Australian agent and publicist in London, in 1927. He masterminded her early career as a dancer in West End nightclubs, where she created favourable notoriety by performing in a G-string with only an ostrich fan for cover. The