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About: Frederick Christian Palmer     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatEnglishPhotographers, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingpersonyago:WikicatPeopleFromPlymouth(district)yago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:Photographer110426749yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:WikicatEnglishPhotographers New Facet based on Instances of this Class

Frederick Christian Palmer (East Stonehouse, Plymouth 1866 − Hungerford 1941; fl.1892–1935), known professionally as Fred C. Palmer, was the main public photographer of Herne Bay, Kent in the early years of the 20th century, working from Tower Studio. He photographed all the civic events in Herne Bay before 1914, and made portraits of the eccentric Edmund Reid, the erstwhile head of Metropolitan Police Service CID who had investigated the Whitechapel murders and then retired to Hampton-on-Sea, Herne Bay. In 1913 Marcel Duchamp used Palmer's 1910 photograph of the illuminated Grand Pier Pavilion as found object art in his Note 78, part of his Green Box artwork. In the 1920s and early 30s, Palmer took over William Hooper's Cromwell Street studio in Swindon, again producing local postcards, p