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The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ. Instrumental in establishing this style were Louis Couperin (c. 1626–1661), who experimented with structure, registration and melodic lines, expanding the traditional polyphonic forms, and Guillaume-Gabriel Nivers (1632–1714), who established the distinct forms and styles of what was to become the French organ tradition.

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  • Escuela francesa de órgano (es)
  • French organ school (en)
  • Scuola organistica francese (it)
  • École française d'orgue (fr)
  • Franse orgelschool (nl)
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  • The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ. Instrumental in establishing this style were Louis Couperin (c. 1626–1661), who experimented with structure, registration and melodic lines, expanding the traditional polyphonic forms, and Guillaume-Gabriel Nivers (1632–1714), who established the distinct forms and styles of what was to become the French organ tradition. (en)
  • Con l'espressione scuola d'organo francese si intende in storia della musica una corrente di musicisti e compositori francesi vissuti tra il XVI e il XVIII secolo. La scuola prende inizio dalla musica serratamente polifonica e severa di Jean Titelouze (1563 - 1633), consideratone il padre, per giungere ad uno stile compositivo molto ornato e con caratteristiche peculiari adattate alle forme dell'organo classico francese. A definire con precisione questo stile furono Louis Couperin (1626 - 1661), che sperimentò varie soluzioni compositive e di registrazione, e Guillaume-Gabriel Nivers (1632 - 1714), che fissò nei suoi trattati le linee guida della Scuola organistica francese mettendole in pratica nelle sue composizioni. (it)
  • De Franse orgelschool wordt gekenmerkt doordat de melodie van een stem belangrijker wordt gevonden dan de polyfonie of samenklank tussen de verscheidene stemmen en doordat wordt geprobeerd alle mogelijkheden van het orgel te benutten. (nl)
  • En historia de la música, normalmente se entiende por escuela francesa de órgano la corriente de las músicas hechas con este instrumento y para él emprendida y seguida por músicos y compositores que vivieron en la Francia de los siglos XVI, XVII y XVIII. No obstante, en un sentido lato, se puede extender el concepto a muchas de las creaciones organísticas francesas posteriores. Los orígenes de la escuela francesa de órgano se remontan al Renacimiento: a las publicaciones que hizo Pierre Attaingnant desde 1547 hasta 1557. (es)
  • L’école française d’orgue prend son origine connue à la Renaissance, avec les publications de Pierre Attaingnant entre 1547 et 1557. Si quelques auteurs (tels Eustache du Caurroy en 1610, ou Charles Guillet la même année) publient des fantaisies instrumentales qui restent susceptibles d'être jouées à l'orgue, il faut attendre Jehan Titelouze en 1623 et 1626 pour disposer d'œuvres écrites spécifiquement pour cet instrument. De là, il faut encore plusieurs décennies pour atteindre les œuvres de Nivers, et de Louis Couperin, Jacques Thomelin ou Charles Racquet. À la même époque, la publication des trois Livres d’orgue de Nicolas Lebègue (1676, 1678 et 1685) confirme la grande tradition française qui privilégie la mélodie sur la polyphonie et fait grand usage des timbres caractéristiques de l’ (fr)
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