Giulio da Milano (Nice, 1895 - Turin, 1990) was an Italian painter, teacher and graphic designer. He worked on printing, layout and on several forms of typographic illustrations. He also taught for many years at the Turin graphic design school. In 1934, he published (named after an Italian dog similar to the greyhound), an expressive, monolinear script typeface that became very popular in Italy among printers that couldn't afford to hire lettering artists for every titling design job. In 1933, he was invested as the director of the art department of the Nebiolo type foundry.
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| - Giulio Da Milano (Nizza, 1895 – Torino, 1991) è stato un grafico, pittore e insegnante italiano. Fu allievo di Giacomo Grosso ed esordì con una personale agli amici dell'arte nel 1927, il suo stile maturo si può dire postimpressionista con chiare influenze Cezeniane fu accostato alle esperienze del gruppo dei 6 di Torino. Si occupò molto di stampa, di impaginazione e di svariate forme di illustrazione tipografica. Insegnò per molti anni alla . (it)
- Giulio da Milano (Nice, 1895 - Turin, 1990) was an Italian painter, teacher and graphic designer. He worked on printing, layout and on several forms of typographic illustrations. He also taught for many years at the Turin graphic design school. In 1934, he published (named after an Italian dog similar to the greyhound), an expressive, monolinear script typeface that became very popular in Italy among printers that couldn't afford to hire lettering artists for every titling design job. In 1933, he was invested as the director of the art department of the Nebiolo type foundry. (en)
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| - Giulio da Milano (Nice, 1895 - Turin, 1990) was an Italian painter, teacher and graphic designer. He worked on printing, layout and on several forms of typographic illustrations. He also taught for many years at the Turin graphic design school. In 1934, he published (named after an Italian dog similar to the greyhound), an expressive, monolinear script typeface that became very popular in Italy among printers that couldn't afford to hire lettering artists for every titling design job. In 1933, he was invested as the director of the art department of the Nebiolo type foundry. In 1935, he created the Neon and geometric typefaces for that same company. Neon's strokes were always the same width, and the uppercase and lowercase letters have exactly the same height. Each body size had a different height-width proportion, and there were three possible weight series: chiara (light), nera (black) and ombrata (shadowed, letters featured a shadow effect). Razionale was designed as a grid-like counter, so the printed elements were actually the spaces between the letters. Other quadrangular printing blocks could be added to complete the designs, change the spacing and create geometric shapes. In 1936, Giulio da Milano was succeeded in the direction of Nebiolo by designer and collaborator Alessandro Butti. (en)
- Giulio Da Milano (Nizza, 1895 – Torino, 1991) è stato un grafico, pittore e insegnante italiano. Fu allievo di Giacomo Grosso ed esordì con una personale agli amici dell'arte nel 1927, il suo stile maturo si può dire postimpressionista con chiare influenze Cezeniane fu accostato alle esperienze del gruppo dei 6 di Torino. Si occupò molto di stampa, di impaginazione e di svariate forme di illustrazione tipografica. Insegnò per molti anni alla . (it)
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