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| - Giusto de’ Menabuoi, auch Giusto da Padova genannt, (* im 14. Jahrhundert in Florenz; † vermutlich 18. Juni 1390 in Padua) war ein italienischer Maler des Trecento. Zu seinen Hauptwerken gehören die zwischen 1375 und 1378 geschaffenen Fresken im Baptisterium der Kathedrale von Padua. Weitere Werke befinden sich in der Antonius-Basilika und der Kirche der Eremitani zu Padua sowie in der Abtei von Viboldone bei Mailand. (de)
- Giusto de Menabuoi (né à Florence vers 1330 et mort à Padoue entre 1387 et 1391), est un peintre italien de la pré-Renaissance qui fut actif au XIVe siècle. Artiste très influencé par Giotto, Giusto de Menabuoi fut un spécialiste des scènes religieuses. (fr)
- Giusto de' Menabuoi (Firenze, 1330 circa – Padova, 1390 circa) è stato un pittore italiano. Giusto de' / De' // dei Menabuoi o semplicemente Menabuoi, di probabile ma non documentata formazione giottesca, interpretata in senso soprattutto coloristico e spaziale, divenne pittore alla corte padovana dei da Carrara. Perseguendo uno stile proprio, arcaizzante, lontano dalle cadenze gotiche, con un marcato realismo che lo distingue dai contemporanei Altichiero e Jacopo Avanzi, non lascerà traccia nello sviluppo della successiva pittura veneta. (it)
- Giusto de' Menabuoi (1330 — 1390), ou simplesmente Giusto, foi um pintor italiano do começo do Renascimento. Nasceu em Florença e possivelmente estudou com Bernardo Daddi ou Maso Di Banco, sob a influência artística de Giotto. Na Lombardia, executou o afresco da Última Ceia, na Abadia de Viboldone, Milão. Depois, se mudou para Pádua, onde completou os afrescos da Igreja de Eremitani, da Basílica de Santo Antonio de Pádua e, mais importante, o batistério da Catedral de Pádua, em 1376. Morreu também em Pádua. (pt)
- Джу́сто де Менабу́ої (італ. Giusto de' Menabuoi; бл. 1330, Флоренція — 22 квітня 1393, Падуя) — італійський живописець. (uk)
- Giusto de' Menabuoi (c. 1320–1391) was an Italian painter of the early Renaissance. He was born in Florence. Probably, but not confirmed as, a pupil of Giotto, de' Menabuoi was notable for his use of bright colour and became a painter at the court of Da Carrara. Pursuing his own archaic style, far removed from Gothic style and realism of his contemporaries Altichiero and Jacopo d'Avanzi, he was to leave no trace in the development of subsequent Venetian painting. Giusto de' Menabuoi died in Padua and his burial site was re-discovered outside the Baptistry. (en)
- Джусто де Менабуои (итал. Giusto de' Menabuoi) (ок. 1320—1391) — итальянский художник эпохи раннего ренессанса; известен также под прозвищем Джусто из Падуи (итал. Giusto da Padova). Его творческий стиль сложился под влиянием работ Джотто и его последователей, в частности, Мазо ди Банко. Наиболее известными работами Джусто де Менабуои являются: (ru)
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| - Giusto de’ Menabuoi, auch Giusto da Padova genannt, (* im 14. Jahrhundert in Florenz; † vermutlich 18. Juni 1390 in Padua) war ein italienischer Maler des Trecento. Zu seinen Hauptwerken gehören die zwischen 1375 und 1378 geschaffenen Fresken im Baptisterium der Kathedrale von Padua. Weitere Werke befinden sich in der Antonius-Basilika und der Kirche der Eremitani zu Padua sowie in der Abtei von Viboldone bei Mailand. (de)
- Giusto de' Menabuoi (c. 1320–1391) was an Italian painter of the early Renaissance. He was born in Florence. Probably, but not confirmed as, a pupil of Giotto, de' Menabuoi was notable for his use of bright colour and became a painter at the court of Da Carrara. Pursuing his own archaic style, far removed from Gothic style and realism of his contemporaries Altichiero and Jacopo d'Avanzi, he was to leave no trace in the development of subsequent Venetian painting. In Lombardy he executed a fresco of the Last Judgement in the Abbey of Viboldone, Milan. He then moved to Padua where he completed frescos in the Church of the Eremitani, the Basilica of Saint Anthony of Padua and most notably at the Baptistery of the Padua Duomo. Between 1375 and 1378 he executed the fresco decoration of the Baptistery of the Padua Duomo, commissioned by Fina Buzzaccarini, wife of Francesco I da Carrara, who intended to use the building as the family mausoleum. Compared with his earlier work, the frescoes show Romanesque and Byzantine orderliness, such as in the great Paradise of the dome, where the scene is organized around a Christ Pantocrator, surrounded by a hypnotic geometric pattern of angels and saints whose halos, arranged in neat rows, appear from below as some kind of magnificent jewellery. Giusto de' Menabuoi died in Padua and his burial site was re-discovered outside the Baptistry. (en)
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