Guan Tong (simplified Chinese: 关仝; traditional Chinese: 關仝; pinyin: Guān Tóng; Wade–Giles: Kuan T'ung) (c. 906-960) was a Chinese painter of the Northern Landscape style during the Five Dynasties and Ten Kingdoms period and early Song dynasty from the city of Chang'an. He was a pupil of Jing Hao, and known as a critical figure in the development of the era's monumental landscape painting. His landscape paintings achieved a believable and compelling portrayal of the natural world, an achievement typifying the tenth-century artists drive in the portrayal of nature. The great popularity Guan's distinctive style achieved is one measure of the popularity of landscape painting at the time.
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| - Guan Tong (en)
- Guan Tong (fr)
- Guan Tong (it)
- 関同 (ja)
- Guan Tong (nl)
- Guan Tong (pl)
- Гуань Тун (ru)
- Гуань Тун (uk)
- 關仝 (zh)
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| - Guan Tong (traditioneel Chinees: 關仝) was een Chinees kunstschilder die actief was in de eerste helft van de 10e eeuw, tijdens de periode van de Vijf Dynastieën en Tien Koninkrijken. Er zijn een aantal schilderijen bewaard gebleven die aan Guan Tong zijn toegeschreven. Geen van deze werken draagt echter zijn signatuur. (nl)
- 関同（関仝、かん どう、生没年不詳）は、中国五代後梁の画家。京兆府万年県の出身。荊浩の弟子。「同」の部分は「仝」「穜」などと書かれる場合もある。作品に「関山行旅図」「山谿待渡図」「秋山晩翠図」などがある。 (ja)
- Гуань Тун (關仝, *приблизно 870 — приблизно 960) — один із провідних китайських художників часів династії Тан. (uk)
- 關仝（？－？），中國五代後梁時期的山水畫畫家，為陝西長安人。与他的師父荊浩在画史上合称“荆關山水”，自創有“關家山水”，在秦嶺、華山一代活動。現存作品有《關山行旅图》和《山溪待渡圖》。 關仝與李成、范寬在北宋並稱為「三家山水」。其門生包括郭忠恕、王士元、劉永、王端等。 (zh)
- Guan Tong (simplified Chinese: 关仝; traditional Chinese: 關仝; pinyin: Guān Tóng; Wade–Giles: Kuan T'ung) (c. 906-960) was a Chinese painter of the Northern Landscape style during the Five Dynasties and Ten Kingdoms period and early Song dynasty from the city of Chang'an. He was a pupil of Jing Hao, and known as a critical figure in the development of the era's monumental landscape painting. His landscape paintings achieved a believable and compelling portrayal of the natural world, an achievement typifying the tenth-century artists drive in the portrayal of nature. The great popularity Guan's distinctive style achieved is one measure of the popularity of landscape painting at the time. (en)
- Guan Tong (peintre) ou Kouan t'ong ou Kuan T'ung, né à Changan (province du Shenxi). IXe – Xe siècles est un peintre chinois actif à la fin du IXe siècle et au début du Xe siècle, sous la dynastie des Liang (907-923). (fr)
- Guan Tong (關仝T, 关仝S, Guān TóngP; Chang'an, ... – 960) è stato un pittore cinese dello "stile settentrionale", attivo sotto i (907-923).Fu allievo di , ed è conosciuto come una figura cruciale per lo sviluppo dell'era d'oro della pittura di paesaggio. I suoi dipinti realizzano una verosimile ed efficace raffigurazione del mondo naturale, una conquista caratterizzante gli artisti di paesaggio del secolo X. La grande popolarità dello stile distintivo di Guan rappresenta uno degli aspetti della diffusione della pittura di paesaggio al tempo. (it)
- Guan Tong chiń. upr. 关仝; chiń. trad. 關仝; pinyin Guān Tóng – chiński malarz, aktywny na dworze Późniejszej Dynastii Liang w Luoyangu, w pierwszej ćwierci X wieku; uważany za jednego z trzech wielkich mistrzów wczesnego malarstwa krajobrazowego. Katalog ten (z XI w.) tak opisywał twórczość Guan Tonga: Według dawnych krytyków Guan Tong był najwybitniejszym pejzażystą okresu Pięciu Dynastii, ale współczesną ocenę jego dzieł utrudnia fakt, że nie jest pewne, czy którykolwiek z przypisywanych mu obrazów jest faktycznie jego pędzla. (pl)
- Гуа́нь Тун (кит. трад. 關仝, упр. 关仝, пиньинь Guān Tóng; X век) — китайский художник-пейзажист, работавший в монохромной технике. Родился в Чанъани провинции Шэньси, непосредственный ученик и продолжатель Цзин Хао. Наряду с Ли Чэном и Фань Куанем его считали одним из основателей жанра. , считал, что он превзошел учителя. Т. А. Пострелова называет годами его работы 907—923. К.Самосюк пишет, что в 932—936 он работал в Лояне при дворе династии Позднняя Тан. Сохранилось несколько приписываемых ему свитков в Гугуне и музеях Японии. Мнения знатоков, знакомых с оригиналами не всегда совпадали. Ми Фэй считал простоватыми фигуры на его пейзажах. Однако Го Жо-сюй высоко ценил его пейзажи. (ru)
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| - Guan Tong's Autumn Mountain Shadow. Light color on silk. National Palace Museum (en)
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| - Guan Tong (simplified Chinese: 关仝; traditional Chinese: 關仝; pinyin: Guān Tóng; Wade–Giles: Kuan T'ung) (c. 906-960) was a Chinese painter of the Northern Landscape style during the Five Dynasties and Ten Kingdoms period and early Song dynasty from the city of Chang'an. He was a pupil of Jing Hao, and known as a critical figure in the development of the era's monumental landscape painting. His landscape paintings achieved a believable and compelling portrayal of the natural world, an achievement typifying the tenth-century artists drive in the portrayal of nature. The great popularity Guan's distinctive style achieved is one measure of the popularity of landscape painting at the time. Autumn Mountain Shadow is one of the paintings attributed to Guan Tong, and although there are several works attributed to him, there are no extant works bearing his signature. In this picture a barely visible steep path climbs through the rugged mountains. The work appears to be the visual equivalent of the poems describing hard journeys such as Li Bai's The Road to Shu is Hard (Shudao nan). Guan's works focus also on the representation of the cyclical seasons of nature: a concept central to Chinese medicine and many schools of Chinese philosophy. Guan Tong favored the use of 'axe chopped' brushstrokes, Fu Pi Cun, to depict the angular rocky forms of the northern mountains. His strong peaks and densely compacted composition represents the northern tradition in its most likely form as scholars understand it today. Scholars describe Guan's works, along with certain pieces by his teacher Jing Hao, as advanced and impressive pieces for their era, and not works that should be counted as inferior or preliminary to the mature landscape art of the Song. Twentieth-century artist Chang Dai-chien forged a painting which was successfully passed off as an original by Guan Tong; the painting was purchased by the Museum of Fine Arts, Boston in 1957 and was assumed, at the time, to be a work by Guan Tong. The painting is considered one of Chang's most ambitious and audacious forgeries. (en)
- Guan Tong (peintre) ou Kouan t'ong ou Kuan T'ung, né à Changan (province du Shenxi). IXe – Xe siècles est un peintre chinois actif à la fin du IXe siècle et au début du Xe siècle, sous la dynastie des Liang (907-923). Le Xe siècle connaît en Chine le premier grand épanouissement du paysage qui «s'affirme alors dans toute sa plénitude, avec une majesté, un équilibre et une profondeur spirituelle restées inégalables» (P. Rychmans). Parmi les artistes éminents de cette époque, Jing Hao et son disciple Guan Tong, au nord du pays, opèrent la synthèse des expériences antérieures et jettent les fondements du paysage classique qui reste le canevas des peintres des Song du Nord. (fr)
- Guan Tong (traditioneel Chinees: 關仝) was een Chinees kunstschilder die actief was in de eerste helft van de 10e eeuw, tijdens de periode van de Vijf Dynastieën en Tien Koninkrijken. Er zijn een aantal schilderijen bewaard gebleven die aan Guan Tong zijn toegeschreven. Geen van deze werken draagt echter zijn signatuur. (nl)
- Guan Tong (關仝T, 关仝S, Guān TóngP; Chang'an, ... – 960) è stato un pittore cinese dello "stile settentrionale", attivo sotto i (907-923).Fu allievo di , ed è conosciuto come una figura cruciale per lo sviluppo dell'era d'oro della pittura di paesaggio. I suoi dipinti realizzano una verosimile ed efficace raffigurazione del mondo naturale, una conquista caratterizzante gli artisti di paesaggio del secolo X. La grande popolarità dello stile distintivo di Guan rappresenta uno degli aspetti della diffusione della pittura di paesaggio al tempo. Qiūshān wǎn cuì (秋山晚翠S) è uno dei dipinti attribuiti a Guan Tong, e benché ci siano altre opere a lui attribuite, nessuna di queste porta la sua firma. In questo dipinto un sentiero poco visibile passa per le aspre montagne. Quest'opera sembra essere un'illustrazione delle poesie che descrivono un difficile viaggio, per esempio La strada verso Shu è dura di Li Bai. Le opere di Guan si focalizzano anche sulla rappresentazione ciclica delle stagioni: un concetto fondamentale nella medicina cinese e in molte scuole della filosofia. Guan Tong favorì l'uso del tratto di pennello "ascia spezzettata" (Fu Pi Cun) per raffigurare le forme spigolose e rocciose delle montagne settentrionali. I suoi picchi robusti e la composizione densamente compatta rappresenta la tradizione settentrionale nella forma più verosimile a come gli studiosi la intendono oggi. Gli studiosi descrivono le opere di Guan, insieme ad alcune del suo maestro Jing Hao, come pezzi avanzati e notevoli per quel periodo, e non come opere inferiori o di base rispetto all'arte di paesaggio matura Song. Il pittore del XX secolo Chang Dai-chien falsificò un dipinto che venne fatto passare per un originale di Guan Tong; fu acquistato dal Museo delle Belle Arti di Boston nel 1957 e fu ritenuto, al tempo, un'opera originale di Guan Tong. Il dipinto è considerato una delle più ardite e audaci contraffazioni di Zhang. (it)
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