About: Gustav Friedrich Hartlaub     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : owl:Thing, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FGustav_Friedrich_Hartlaub&invfp=IFP_OFF&sas=SAME_AS_OFF

Gustav Friedrich Hartlaub (12 March 1884 – 30 April 1963) was a German art historian, critic, and curator. He was born in Bremen into a merchant family. He studied with Franz Wickhoff in Vienna and Heinrich Wölfflin in Berlin, among others, until 1910 and then initially worked as assistant to Gustav Pauli at the Kunsthalle Bremen. Hartlaub became the director of the Kunsthalle Mannheim in 1923. He was particularly committed to the promotion of contemporary art. New Objectivity as defined by Hartlaub comprised two stylistic tendencies:

AttributesValues
rdfs:label
  • Gustav Friedrich Hartlaub (de)
  • Gustav Friedrich Hartlaub (es)
  • Gustav Friedrich Hartlaub (fr)
  • Gustav Friedrich Hartlaub (en)
  • Gustav Friedrich Hartlaub (it)
  • Gustav Friedrich Hartlaub (pt)
rdfs:comment
  • Gustav Friedrich Hartlaub (* 12. März 1884 in Bremen; † 30. April 1963 in Heidelberg) war ein deutscher Kunsthistoriker. (de)
  • Gustav Friedrich Hartlaub (Brême, 12 mars 1884 - Heidelberg, 30 avril 1963) est un historien d'art allemand qui fut à partir de 1921 directeur de la Kunsthalle de Mannheim et qui organisa la première exposition rassemblant les peintres de la Nouvelle Objectivité. Il étudia en particulier la relation entre l'art, la magie et l'occultisme. (fr)
  • Gustav Friedrich Hartlaub (Brema, 12 marzo 1884 – Heidelberg, 30 aprile 1963) è stato uno storico dell'arte tedesco. (it)
  • Gustav Friedrich Hartlaub (12 March 1884 – 30 April 1963) was a German art historian, critic, and curator. He was born in Bremen into a merchant family. He studied with Franz Wickhoff in Vienna and Heinrich Wölfflin in Berlin, among others, until 1910 and then initially worked as assistant to Gustav Pauli at the Kunsthalle Bremen. Hartlaub became the director of the Kunsthalle Mannheim in 1923. He was particularly committed to the promotion of contemporary art. New Objectivity as defined by Hartlaub comprised two stylistic tendencies: (en)
  • Gustav Friedrich Hartlaub (Bremen, 12 de marzo de 1884 - Heidelberg, 30 de abril de 1963) fue un historiador del arte alemán. En 1913 entró a trabajar en la Kunsthalle de Mannheim, de la que se convirtió en director en 1923. Allí promocionó el arte contemporáneo y en particular el expresionismo, y descubrió una serie de nuevos artistas, como . El 20 de marzo de 1933 fue despedido a raíz de la política cultural nazi. A partir de 1946 trabajó como profesor en Heidelberg. También estuvo involucrado en el campo de la educación artística, donde era conocido principalmente por su obra El genio en el niño, de 1922. (es)
  • Gustav Friedrich Hartlaub (Bremen, 12 de março de 1884—Heidelberg, 30 de abril de 1963) foi um historiador da arte alemão. Em 1913 entrou a trabalhar na Kunsthalle de Mannheim, da qual foi nomeado diretor em 1923. Ali promoveu a arte contemporânea e em particular o expressionismo, e descobriu uma série de novos artistas, como . Em 20 de março de 1933 foi despedido por causa da política cultural nazista. A partir de 1946 trabalhou como professor em Heidelberg. Também esteve envolvido no campo da educação artística, onde era conhecido principalmente pela sua obra O gênio na criança, de 1922. (pt)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Stumpp_Hartlaub.jpg
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
sameAs
dbp:wikiPageUsesTemplate
thumbnail
has abstract
  • Gustav Friedrich Hartlaub (* 12. März 1884 in Bremen; † 30. April 1963 in Heidelberg) war ein deutscher Kunsthistoriker. (de)
  • Gustav Friedrich Hartlaub (12 March 1884 – 30 April 1963) was a German art historian, critic, and curator. He was born in Bremen into a merchant family. He studied with Franz Wickhoff in Vienna and Heinrich Wölfflin in Berlin, among others, until 1910 and then initially worked as assistant to Gustav Pauli at the Kunsthalle Bremen. Hartlaub became the director of the Kunsthalle Mannheim in 1923. He was particularly committed to the promotion of contemporary art. On 14 June 1925, an exhibition Hartlaub curated, Neue Sachlichkeit: Deutsche Malerei seit dem Expressionismus (New Objectivity: German Painting Since Expressionism), opened at the Kunsthalle Mannheim. The result of two years' research, the exhibition displayed the works of artists who had turned away from Expressionism in favor of a "new naturalism" Hartlaub called New Objectivity. New Objectivity as defined by Hartlaub comprised two stylistic tendencies: I see a right and a left wing. The first, so conservative as to be equal to Classicism, rooted in that which is timeless, is seeking once again to sanctify that which is healthy, corporeal, sculptural, through pure drawing from nature ... The other wing, incandescently contemporary in its lack of belief in art, born rather from a denial of art, is attempting to expose chaos, the true feeling of our days, by means of a primitive obsession with assessment, a nervous obsession with the exposure of the self. The exhibition included 124 works by artists such as Georg Schrimpf and Alexander Kanoldt (of the "right" or neo-Classicist wing) and George Grosz and Otto Dix (of the "left" or Verist wing). The exhibition, which traveled to several other German cities, was a popular and critical success and helped popularize the New Objectivity style. On 20 March 1933, Hartlaub was dismissed as part of the National Socialist cultural policy. From 1946, he worked as a professor in Heidelberg. He was also involved in the field of esoteric approaches to the arts and art education, where he became known in particular for his work Der Genius im Kinde (Genius in Children; 1922). He died on 30 April 1963 in Heidelberg. (en)
  • Gustav Friedrich Hartlaub (Bremen, 12 de marzo de 1884 - Heidelberg, 30 de abril de 1963) fue un historiador del arte alemán. En 1913 entró a trabajar en la Kunsthalle de Mannheim, de la que se convirtió en director en 1923. Allí promocionó el arte contemporáneo y en particular el expresionismo, y descubrió una serie de nuevos artistas, como . El 20 de marzo de 1933 fue despedido a raíz de la política cultural nazi. A partir de 1946 trabajó como profesor en Heidelberg. También estuvo involucrado en el campo de la educación artística, donde era conocido principalmente por su obra El genio en el niño, de 1922. Hartlaub fue el creador del término Nueva Objetividad para la exposición Nueva Objetividad. Pintura alemana desde el expresionismo, celebrada en 1925 en la Kunsthalle de Mannheim. Según palabras de Hartlaub: “el objetivo es superar las mezquindades estéticas de la forma a través de una nueva objetividad nacida del disgusto hacia la sociedad burguesa de la explotación”.​ (es)
  • Gustav Friedrich Hartlaub (Brême, 12 mars 1884 - Heidelberg, 30 avril 1963) est un historien d'art allemand qui fut à partir de 1921 directeur de la Kunsthalle de Mannheim et qui organisa la première exposition rassemblant les peintres de la Nouvelle Objectivité. Il étudia en particulier la relation entre l'art, la magie et l'occultisme. (fr)
  • Gustav Friedrich Hartlaub (Brema, 12 marzo 1884 – Heidelberg, 30 aprile 1963) è stato uno storico dell'arte tedesco. (it)
  • Gustav Friedrich Hartlaub (Bremen, 12 de março de 1884—Heidelberg, 30 de abril de 1963) foi um historiador da arte alemão. Em 1913 entrou a trabalhar na Kunsthalle de Mannheim, da qual foi nomeado diretor em 1923. Ali promoveu a arte contemporânea e em particular o expressionismo, e descobriu uma série de novos artistas, como . Em 20 de março de 1933 foi despedido por causa da política cultural nazista. A partir de 1946 trabalhou como professor em Heidelberg. Também esteve envolvido no campo da educação artística, onde era conhecido principalmente pela sua obra O gênio na criança, de 1922. Hartlaub foi o criador do termo Nova Objetividade para a exposição Nova Objetividade. Pintura alemã desde o expressionismo, celebrada em 1925 na Kunsthalle de Mannheim. Segundo palavras de Hartlaub: “o objetivo é superar a mesquinhez estética da forma através de uma nova objetividade nascida do desgosto pela sociedade burguesa da exploração”. (pt)
prov:wasDerivedFrom
page length (characters) of wiki page
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
is foaf:primaryTopic of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 67 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software