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Héctor Xavier (1921 – July 3, 1994) was one of Mexico's most important sketch artists of the 20th century. Part of the Generación de la Ruptura, Xavier was one of the founders of the Prisse Gallery, which helped to break the hold that Mexican muralism artists had on the market in Mexico. He had his first exhibition, of paintings, in the late 1940s, but it was criticized as showing lack of drawing technique, this prompted Xavier to practice the discipline for nine hours a day and becoming specialized in it. However, he felt closer to writers and journalists than to other artists, with his work published in newspapers, magazines and books, rather than exhibited in Mexico via art shows. Except for acceptance into the Salón de la Plástica Mexicana, he was disconnected from the art scene for mu

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  • هيكتور كزافييه (ar)
  • Héctor Xavier (en)
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  • هيكتور كزافييه (بالإسبانية: Héctor Xavier)‏ هو رسام مكسيكي، ولد في 1921، وتوفي في 3 يوليو 1994. (ar)
  • Héctor Xavier (1921 – July 3, 1994) was one of Mexico's most important sketch artists of the 20th century. Part of the Generación de la Ruptura, Xavier was one of the founders of the Prisse Gallery, which helped to break the hold that Mexican muralism artists had on the market in Mexico. He had his first exhibition, of paintings, in the late 1940s, but it was criticized as showing lack of drawing technique, this prompted Xavier to practice the discipline for nine hours a day and becoming specialized in it. However, he felt closer to writers and journalists than to other artists, with his work published in newspapers, magazines and books, rather than exhibited in Mexico via art shows. Except for acceptance into the Salón de la Plástica Mexicana, he was disconnected from the art scene for mu (en)
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  • هيكتور كزافييه (بالإسبانية: Héctor Xavier)‏ هو رسام مكسيكي، ولد في 1921، وتوفي في 3 يوليو 1994. (ar)
  • Héctor Xavier (1921 – July 3, 1994) was one of Mexico's most important sketch artists of the 20th century. Part of the Generación de la Ruptura, Xavier was one of the founders of the Prisse Gallery, which helped to break the hold that Mexican muralism artists had on the market in Mexico. He had his first exhibition, of paintings, in the late 1940s, but it was criticized as showing lack of drawing technique, this prompted Xavier to practice the discipline for nine hours a day and becoming specialized in it. However, he felt closer to writers and journalists than to other artists, with his work published in newspapers, magazines and books, rather than exhibited in Mexico via art shows. Except for acceptance into the Salón de la Plástica Mexicana, he was disconnected from the art scene for much of his career and did not believe in donating his works to museums or other art institutions. For these reasons, there are no major collections of his work and much of it is lost. (en)
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