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Hildebert and Everwin were two lay medieval artists. They are the first artists known by name who were active in the area covered by today's Czech Republic. They worked as illuminators in the scriptorium of Bishop Jindřich Zdík in the first half of the 12th century. The scriptorium, which was at that time the most important illuminators' workshop in Moravia, was located in Olomouc. Hildebert and Everwin depicted themselves in two illuminated manuscripts of around 1140. They took part in creating the Olomouc Collectarium (known also as the Olomouc Horologium or Horologium Olomucense). They also participated in illuminating the manuscript De Civitate Dei, written by Augustine of Hippo. It is now in the Capitular Library in Prague (codex A 21/1, fol. 153r). It is thought that Hildebert was th

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  • Hildebert a Everwin (cs)
  • Hildebert und Everwin (de)
  • Hildebert and Everwin (en)
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  • Malíř Hildebert (Hildebertus) a jeho pomocník Everwin (Everwinus) byla dvojice iluminátorů (knižních malířů) působící před polovinou 12. století v olomouckém skriptoriu na objednávku biskupa Jindřicha Zdíka. (cs)
  • Hildebert und Everwin (lateinisch Hildebertus und Everwinus; * vermutlich im Rheinland) waren zwei Buchmaler, die im 12. Jahrhundert in Mähren tätig waren. (de)
  • Hildebert and Everwin were two lay medieval artists. They are the first artists known by name who were active in the area covered by today's Czech Republic. They worked as illuminators in the scriptorium of Bishop Jindřich Zdík in the first half of the 12th century. The scriptorium, which was at that time the most important illuminators' workshop in Moravia, was located in Olomouc. Hildebert and Everwin depicted themselves in two illuminated manuscripts of around 1140. They took part in creating the Olomouc Collectarium (known also as the Olomouc Horologium or Horologium Olomucense). They also participated in illuminating the manuscript De Civitate Dei, written by Augustine of Hippo. It is now in the Capitular Library in Prague (codex A 21/1, fol. 153r). It is thought that Hildebert was th (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Hildebert_cursing_a_mouse,_Everwin_(Everwinvs)_writing.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Olomoucké_horologium.jpg
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  • Malíř Hildebert (Hildebertus) a jeho pomocník Everwin (Everwinus) byla dvojice iluminátorů (knižních malířů) působící před polovinou 12. století v olomouckém skriptoriu na objednávku biskupa Jindřicha Zdíka. (cs)
  • Hildebert und Everwin (lateinisch Hildebertus und Everwinus; * vermutlich im Rheinland) waren zwei Buchmaler, die im 12. Jahrhundert in Mähren tätig waren. (de)
  • Hildebert and Everwin were two lay medieval artists. They are the first artists known by name who were active in the area covered by today's Czech Republic. They worked as illuminators in the scriptorium of Bishop Jindřich Zdík in the first half of the 12th century. The scriptorium, which was at that time the most important illuminators' workshop in Moravia, was located in Olomouc. Hildebert and Everwin depicted themselves in two illuminated manuscripts of around 1140. They took part in creating the Olomouc Collectarium (known also as the Olomouc Horologium or Horologium Olomucense). They also participated in illuminating the manuscript De Civitate Dei, written by Augustine of Hippo. It is now in the Capitular Library in Prague (codex A 21/1, fol. 153r). It is thought that Hildebert was the master illuminator, while Everwin was an assistant or apprentice. They are probably best known from an image that appears at the end of the manuscript of De Civitate Dei. Hildebert is depicted sitting, dressed in layman's clothes. Everwin is sitting below him, drawing an ornament on a sheet of parchment. Hildebert's clenched fist is raised and his gaze is directed to a nearby table (which is called Mensa Hildeberti, or Hildebert's table). On the table, a mouse is eating a piece of bread. An open book on Hildebert's writing desk shows a Latin inscription which reads: "Pessime mus, saepius me provocas ad iram. Ut te deus perdat" ("Most wicked mouse, you incite me to anger once too often. May God destroy you.") It is possible that the complaint was intended as a criticism of the poor working conditions of some medieval artists. (en)
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