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The principle of historicization is a fundamental part of the aesthetic developed by the German modernist theatre practitioner Bertolt Brecht. In his poem "Speech to Danish working-class actors on the art of observation", Brecht offers a vivid portrait of the attitude he suggested an actor should cultivate: For the actor, "historicization" constitutes a fundamental interpretative attitude (what Brecht calls a "grund-gestus").

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  • Historisierung (de)
  • Historicization (en)
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  • Als Historisierung (Geschichtswerdung) bezeichnet man allgemein den Übergang einer Sache von einem Gegenstand des Zeitgeschehens zu einem Gegenstand des Geschichtsinteresses oder auch den Prozess des allmählichen Wandels der Wahrnehmung und Interpretation einer Sache oder Vorstellung mit der Zeit. (de)
  • The principle of historicization is a fundamental part of the aesthetic developed by the German modernist theatre practitioner Bertolt Brecht. In his poem "Speech to Danish working-class actors on the art of observation", Brecht offers a vivid portrait of the attitude he suggested an actor should cultivate: For the actor, "historicization" constitutes a fundamental interpretative attitude (what Brecht calls a "grund-gestus"). (en)
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  • Als Historisierung (Geschichtswerdung) bezeichnet man allgemein den Übergang einer Sache von einem Gegenstand des Zeitgeschehens zu einem Gegenstand des Geschichtsinteresses oder auch den Prozess des allmählichen Wandels der Wahrnehmung und Interpretation einer Sache oder Vorstellung mit der Zeit. (de)
  • The principle of historicization is a fundamental part of the aesthetic developed by the German modernist theatre practitioner Bertolt Brecht. In his poem "Speech to Danish working-class actors on the art of observation", Brecht offers a vivid portrait of the attitude he suggested an actor should cultivate: Imagine all that is going on around you, all those strugglesPicturing them just like historical incidentsFor this is how you should go on to portray them on the stage:The fight for a job, sweet and bitter conversationsBetween the man and his woman, arguments about booksResignation and revolt, attempt and failureAll these you will go on to portray as historical incidents.(Even what is happening here, at this moment, with us, is something youCan regard as a picture in this way). For the actor, "historicization" constitutes a fundamental interpretative attitude (what Brecht calls a "grund-gestus"). (en)
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