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About: Hockney–Falco thesis     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:SpeechAct107160883, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: workyago:WikicatControversiesyago:Abstraction100002137yago:Act100030358yago:Controversy107183151yago:Disagreement107180787yago:Dispute107181935yago:Event100029378yago:PsychologicalFeature100023100yago:YagoPermanentlyLocatedEntityyago:SpeechAct107160883 New Facet based on Instances of this Class

The Hockney–Falco thesis is a theory of art history, advanced by artist David Hockney and physicist Charles M. Falco. Both claimed that advances in realism and accuracy in the history of Western art since the Renaissance were primarily the result of optical instruments such as the camera obscura, camera lucida, and curved mirrors, rather than solely due to the development of artistic technique and skill. Nineteenth-century artists' use of photography had been well documented.