• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Hollis Frampton     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Whole100003553, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatAmericanActorsyago:WikicatAmericanArtistsyago:WikicatAmericanExperimentalFilmmakersyago:WikicatAmericanFilmDirectorsyago:WikicatAmericanPhotographersanimaleukaryotespeciesschema:Personyago:WikicatVideoArtistsyago:Actor109765278yago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:Entertainer109616922yago:FilmDirector110088200yago:FilmMaker110088390yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:Photographer110426749yago:PhysicalEntity100001930yago:Producer110480018yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553 New Facet based on Instances of this Class

Hollis William Frampton, Jr. (March 11, 1936 – March 30, 1984) was an American avant-garde filmmaker, photographer, writer, theoretician, and pioneer of digital art. He was best known for his innovative and non-linear structural films that defined the movement, including Lemon (1969), Zorns Lemma (1970), and Hapax Legomena (1971–1972), as well as his anthology book, Circles of Confusion: Film, Photography, Video: Texts, 1968–1980 (1983).