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The Hugo Gallery was a New York City gallery, founded by Robert Rothschild, Elizabeth Arden and Maria dei Principi Ruspoli Hugo between 1945 and 1955 and operated by Alexander Iolas.The Hugo gallery was initially on East 55th Street and Madison Avenue.

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  • Galerio Hugo (eo)
  • Hugo Gallery (en)
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  • La Galerio Hugo (angle Hugo Gallery) estis artgalerio en Novjorko, fondita de Robert Rothschild, Elizabeth Arden kaj Maria dei Principi Ruspoli Hugo inter 1945 kaj 1955 kaj funkciigita de Alexander Iolas. La galerio Hugo estis dekomence ĉe Orienta 55a Strato kaj Madison Avenuo. Kiam ĝi la unuan fojon malfermiĝis – 15an de novembro 1945 – okazis ekstravaganca festo. Multaj famuloj venis por la okazo rigardi pentraĵojn de Chagall kaj de de Chirico ol por detala rigardo de Pavel Tchelitchew kaj Tamara Toumanova. (eo)
  • The Hugo Gallery was a New York City gallery, founded by Robert Rothschild, Elizabeth Arden and Maria dei Principi Ruspoli Hugo between 1945 and 1955 and operated by Alexander Iolas.The Hugo gallery was initially on East 55th Street and Madison Avenue. (en)
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  • La Galerio Hugo (angle Hugo Gallery) estis artgalerio en Novjorko, fondita de Robert Rothschild, Elizabeth Arden kaj Maria dei Principi Ruspoli Hugo inter 1945 kaj 1955 kaj funkciigita de Alexander Iolas. La galerio Hugo estis dekomence ĉe Orienta 55a Strato kaj Madison Avenuo. Kiam ĝi la unuan fojon malfermiĝis – 15an de novembro 1945 – okazis ekstravaganca festo. Multaj famuloj venis por la okazo rigardi pentraĵojn de Chagall kaj de de Chirico ol por detala rigardo de Pavel Tchelitchew kaj Tamara Toumanova. (eo)
  • The Hugo Gallery was a New York City gallery, founded by Robert Rothschild, Elizabeth Arden and Maria dei Principi Ruspoli Hugo between 1945 and 1955 and operated by Alexander Iolas.The Hugo gallery was initially on East 55th Street and Madison Avenue. When it first opened – on Thursday, November 15, 1945 – an extravagant party was held on the premises; an article by Edward Alden Jewell in the next morning’s Times reported on everything from the “first-rate” paintings to the sumptuous decorations, the work, he surmised, of “most of the florists in town”. The entire dance world, or so it seemed, turned out for the reception, surely less for the chance to contemplate paintings by Chagall and de Chirico than for an up-close view of Pavel Tchelitchew and Tamara Toumanova. (en)
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