About: Identification (literature)

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Identification refers to the automatic, subconscious psychological process in which an individual becomes like or closely associates themselves with another person by adopting one or more of the others' perceived personality traits, physical attributes, or some other aspect of their identity. The concept of identification was founded by psychoanalyst Sigmund Freud in the 1920’s, and has since been expanded on and applied in psychology, social studies, media studies, and literary and film criticism. In literature, identification most often refers to the audience identifying with a fictional character, however it can also be employed as a narrative device whereby one character identifies with another character within the text itself.

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rdf:type	Thing
rdfs:label	Identification (littérature) (fr) Identification (literature) (en)
rdfs:comment	Identification refers to the automatic, subconscious psychological process in which an individual becomes like or closely associates themselves with another person by adopting one or more of the others' perceived personality traits, physical attributes, or some other aspect of their identity. The concept of identification was founded by psychoanalyst Sigmund Freud in the 1920’s, and has since been expanded on and applied in psychology, social studies, media studies, and literary and film criticism. In literature, identification most often refers to the audience identifying with a fictional character, however it can also be employed as a narrative device whereby one character identifies with another character within the text itself. (en) L'identification est un terme utilisé dans les études littéraires et cinématographiques pour décrire une relation psychologique entre le lecteur d'un roman et un personnage du livre, ou entre un spectateur dans le public et un personnage à l'écran. Dans les deux cas, lecteurs et spectateurs se voient dans le personnage de fiction. (fr)
rdfs:seeAlso	Carl Jung Semiotic literary criticism Identification (psychology) Feminist film theory John Berger (author) Jaques Lacan
foaf:depiction
dcterms:subject	Literature Film Literary criticism Psychoanalysis
Wikipage page ID	3837845 (xsd:integer)
Wikipage revision ID	1121118157 (xsd:integer)
Link from a Wikipage to another Wikipage	Carl Jung Protagonist Psycho (1960 film) Psychoanalysis Psychology Metaphor Mirror stage Omnipotence Archetypal literary criticism Personality Vertigo Post-structuralism Melanie Klein Gaze Gender Oedipus Rex Oedipus complex Psychoanalytic literary criticism Subconscious Christian Metz (theorist) Myth Lacanianism Sigmund Freud Identification (psychology) Media studies Literature Alfred Hitchcock Analytical psychology Film Literary criticism Ferdinand de Saussure Psychoanalysis Norman Bates Northrop Frye Literary criticism Plot device Jacques Lacan The Interpretation of Dreams Archetype Laura Mulvey Ego psychology Hero's journey Thriller film Film criticism Group Psychology and the Analysis of the Ego New Wave cinema Rear Window The Imaginary (psychoanalysis) Robin Wood (critic) Social studies Psychoanalytic theory Shot/reverse shot The Ego in Freud's Theory and in the Technique of Psychoanalysis Point-of-view shot Male gaze Phallocentrism Second-wave feminism Semiology Hollywood films Lacanian psychoanalysis Mirror Phase Visual Pleasure and Narrative Cinema
sameAs	Identification (literature) Identification (literature) Identification (literature) Identification (literature)
dbp:wikiPageUsesTemplate	dbt:Main dbt:Main_article dbt:Main_articles dbt:See_also dbt:Use_dmy_dates
thumbnail	wiki-commons:Special:FilePath/Sigmund_Freud,_by_Max_Halberstadt_(cropped).jpg?width=300
has abstract	Identification refers to the automatic, subconscious psychological process in which an individual becomes like or closely associates themselves with another person by adopting one or more of the others' perceived personality traits, physical attributes, or some other aspect of their identity. The concept of identification was founded by psychoanalyst Sigmund Freud in the 1920’s, and has since been expanded on and applied in psychology, social studies, media studies, and literary and film criticism. In literature, identification most often refers to the audience identifying with a fictional character, however it can also be employed as a narrative device whereby one character identifies with another character within the text itself. Varying interpretations of Freud's original concept of identification are found in literary and film theory traditions, such as psychoanalytic literary criticism, archetypal literary criticism, and Lacanian film analysis, and in the works of prominent theorists and critics such as Northrop Frye, Laura Mulvey, and Christian Metz. Acclaimed filmmaker Alfred Hitchcock used specific camera and acting techniques in his films to incite audience identification with his characters in order to create suspense. (en)

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