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About: Jean-Baptiste Forqueray     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFrenchComposers, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingyago:WikicatBaroqueComposersathleteyago:Artist109812338yago:CausalAgent100007347yago:Composer109947232yago:Contestant109613191yago:Creator109614315yago:Entertainer109616922yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:Player110439851yago:WikicatFrenchViolPlayersyago:YagoLegalActoryago:YagoLegalActorGeoyago:Violinist110754578yago:Whole100003553yago:WikicatFrenchBaroqueViolPlayersyago:WikicatFrenchClassicalViolinistsyago:WikicatFrenchComposers New Facet based on Instances of this Class

Jean-Baptiste Forqueray (3 April 1699 – 28 June 1782), the son of Antoine Forqueray, was a player of the viol and a composer. Forqueray was born in Paris. He is most famous today for his 1747 publication of twenty-nine pieces for viol and continuo which he attributed to his father (except for three, for which he himself took credit). In the avertissement he states that he was responsible for the bass line (thus the figures as well) and the viol fingerings. Stylistically, they are very much influenced by Italian music and belong to the generation of Jean-Marie Leclair (1697–1764) and Jean-Pierre Guignon (1702–1774). Modern violists regard these Pieces de viole as the most virtuosic music for the instrument. Paolo Pandolfo and Lorenz Duftschmid have both recorded the complete publication.