About: Jean-Sébastien Côté     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Whole100003553, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FJean-Sébastien_Côté&invfp=IFP_OFF&sas=SAME_AS_OFF

Jean-Sébastien Côté is a musician and sound designer based in the Ottawa area, Canada. Originally a percussionist and accompanist for modern dance, he became interested in composing in the early 1990s and began collaborating with various choreographers in Quebec City. Since 1999, he has been working with Canadian director Robert Lepage, designing the sound and / or composing the music for many of his plays like 887, Playing Cards, Needles and Opium, The Blue Dragon, The Andersen Project, The Far Side of the Moon and Zulu Time.

AttributesValues
rdf:type
rdfs:label
  • Jean-Sébastien Côté (fr)
  • Jean-Sébastien Côté (en)
rdfs:comment
  • Jean-Sébastien Côté is a musician and sound designer based in the Ottawa area, Canada. Originally a percussionist and accompanist for modern dance, he became interested in composing in the early 1990s and began collaborating with various choreographers in Quebec City. Since 1999, he has been working with Canadian director Robert Lepage, designing the sound and / or composing the music for many of his plays like 887, Playing Cards, Needles and Opium, The Blue Dragon, The Andersen Project, The Far Side of the Moon and Zulu Time. (en)
  • Jean-Sébastien Côté est un musicien et concepteur sonore basé à Ottawa. Au départ percussionniste et accompagnateur pour la danse moderne, il débute la composition musicale au début des années 1990 et entreprend diverses collaborations avec plusieurs chorégraphes de la ville de Québec. Depuis 1999, il travaille avec le metteur en scène Robert Lepage pour qui il compose ou effectue la conception sonore de multiples pièces dont Le Dragon Bleu, le Projet Andersen, La Face cachée de la lune et Zulu Time, et plus d’interpréter en direct la musique de La Trilogie des dragons (fr)
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
Link from a Wikipage to an external page
sameAs
dbp:wikiPageUsesTemplate
has abstract
  • Jean-Sébastien Côté is a musician and sound designer based in the Ottawa area, Canada. Originally a percussionist and accompanist for modern dance, he became interested in composing in the early 1990s and began collaborating with various choreographers in Quebec City. Since 1999, he has been working with Canadian director Robert Lepage, designing the sound and / or composing the music for many of his plays like 887, Playing Cards, Needles and Opium, The Blue Dragon, The Andersen Project, The Far Side of the Moon and Zulu Time. He was also involved in Lepage's foray into other art forms: cinema (The far side of the moon), opera (1984) and dance (Eonnagata) and also composed music or did the sound design of various multimedia experiences and VR projects. In 2017, he composed the music for Something about Wilderness, a choreography by Melanie Demers and Laïla Diallo for Swedish dance company Skånes Dansteater. He received a Gascon-Roux award in 2006 and an Elliot Norton Award in 2012 for his work on The Andersen Project, another Gascon-Roux in 2014 for Needles and Opium and a Toronto Theatre Critic Award for 887. He also released a record with musical partner François Therriault under the name crashride in 2015 to positive reviews. (en)
  • Jean-Sébastien Côté est un musicien et concepteur sonore basé à Ottawa. Au départ percussionniste et accompagnateur pour la danse moderne, il débute la composition musicale au début des années 1990 et entreprend diverses collaborations avec plusieurs chorégraphes de la ville de Québec. Depuis 1999, il travaille avec le metteur en scène Robert Lepage pour qui il compose ou effectue la conception sonore de multiples pièces dont Le Dragon Bleu, le Projet Andersen, La Face cachée de la lune et Zulu Time, et plus d’interpréter en direct la musique de La Trilogie des dragons Il a également collaboré avec Lepage sur des projets non théâtraux, que ce soit au cinéma (La Face cachée de la lune), à l’opéra ou en danse (Eonnagata). Il a reçu le prix Gascon-Roux à deux reprises; une première fois pour son travail sur Le Projet Andersen en 2006 et une seconde fois pour la musique et l'environnement sonore des Aiguilles et l'Opium en 2014. (fr)
gold:hypernym
prov:wasDerivedFrom
page length (characters) of wiki page
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
is Wikipage redirect of
is foaf:primaryTopic of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 67 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software