• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Jessonda     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat19th-centuryOperas, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingyago:WikicatOperasyago:WikicatOperasByLouisSpohryago:Abstraction100002137yago:AuditoryCommunication107109019yago:ClassicalMusic107025900yago:Communication100033020yago:ExpressiveStyle107066659yago:Music107020895yago:MusicGenre107071942yago:Opera107026352yago:WikicatGerman-languageOperastelevision showyago:Wikicat1823Operasyago:Wikicat19th-centuryOperas New Facet based on Instances of this Class

Jessonda is a grand opera (Große Oper) by Louis Spohr, written in 1822. The German libretto was written by , based on Antoine-Marin Lemierre's 1770 play La veuve du Malabar ou L'Empire des coutumes. Spohr had been newly appointed Hofkapellmeister in Kassel. He had reservations about Weber's recently performed Der Freischütz, and sought a subject that was poetic and uncomplicated, avoiding, in his setting, any spoken dialogue. He was opposed to the use of speech on mundane subjects in an operatic context. Ballets and spectacle were provided in set pieces that might also attract ordinary theatre-goers, in a German form of grand opera.