About: Jimmy Nolen

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Jimmy Nolen (April 3, 1934 – December 18, 1983) was an American guitarist, known for his distinctive "chicken scratch" lead guitar playing in James Brown's bands. In its survey of "The 100 Greatest Guitarists of All Time," the English magazine Mojo ranks Nolen number twelve.

Attributes	Values
rdf:type	Thing yago:WikicatAmericanBluesGuitarists yago:WikicatAmericanFunkGuitarists yago:WikicatAmericanMusicians yago:WikicatAmericanSoulGuitarists yago:WikicatBluesMusicians yago:WikicatPeopleFromOklahomaCity,Oklahoma yago:Artist109812338 yago:CausalAgent100007347 yago:Creator109614315 yago:Entertainer109616922 yago:Guitarist110151760 yago:LivingThing100004258 yago:Musician110339966 yago:Musician110340312 yago:Object100002684 yago:Organism100004475 yago:Performer110415638 yago:Person100007846 yago:PhysicalEntity100001930 yago:YagoLegalActor yago:YagoLegalActorGeo musical artist yago:Whole100003553 yago:WikicatAfrican-AmericanMusicians
rdfs:label	Jimmy Nolen (de) Jimmy Nolen (en) Jimmy Nolen (pt)
rdfs:comment	Jimmy Nolen (April 3, 1934 – December 18, 1983) was an American guitarist, known for his distinctive "chicken scratch" lead guitar playing in James Brown's bands. In its survey of "The 100 Greatest Guitarists of All Time," the English magazine Mojo ranks Nolen number twelve. (en) Jimmy Nolen (3 de abril de 1934 – 18 de dezembro de 1983) foi um guitarrista americano, conhecido por ter criado o estilo chamado "chicken scratch" e ter tocado na banda de James Brown. Em sua pesquisa dos "100 Maiores Guitarristas de Todos os Tempos", a revista inglesa Mojo classifica Nolen em número doze. (pt) Jimmy Nolen (* 3. April 1934 in Oklahoma City; † 18. Dezember 1983 in Atlanta) war ein US-amerikanischer Rhythm-and-Blues und Blues-Gitarrist. Nolen begann seine Karriere mit Auftritten als Jugendlicher unter dem Eindruck der Musik von T-Bone Walker, B. B. King und Lowell Fulson; erste Aufnahmen entstanden nach seiner Übersiedlung nach Kalifornien. Nolen arbeitete an der Westküste auch mit Jimmy Wilson, Chuck Higgins und Johnny Otis, bei dessen Klassiker Willie and the Hand Jive (1958) er mitwirkte. Aufnahmen unter eigenem Namen entstanden für die Label , und Imperial Records. 1965 begann seine Zusammenarbeit mit James Brown; bei der Session wurde der erste von Browns Nummer-1-Hits Papa’s Got a Brand New Bag eingespielt. 1970 verließ er Brown und spielte bis zu seinem Tod bei Maceo Parker (de)
dcterms:subject	Musicians from Oklahoma City 20th-century American guitarists 20th-century American male musicians 20th-century American musicians American male guitarists James Brown Orchestra members The J.B.'s members 1934 births 1983 deaths Lead guitarists American soul guitarists American funk guitarists Guitarists from Oklahoma African-American guitarists American blues guitarists American rhythm and blues guitarists
Wikipage page ID	8023055 (xsd:integer)
Wikipage revision ID	1092830319 (xsd:integer)
Link from a Wikipage to another Wikipage	California Amplifier Public Enemy Mojo (magazine) Sixteenth note Blues Bootsy Collins Musicians from Oklahoma City Johnny Otis Peter Gunn United States 20th-century American guitarists 20th-century American male musicians 20th-century American musicians American male guitarists Chic (band) Chuck Higgins Cincinnati Clyde Stubblefield Cold Sweat Electric guitar Fred Wesley Funky Drummer George "Harmonica" Smith George Clinton (funk musician) Gibson ES-175 Gibson Les Paul Myocardial infarction Eric B. & Rakim Bass guitar James Brown Orchestra members Los Angeles Lowell Fulson Maceo Parker The J.B.'s members Chitlin' Circuit Single (music) Federal Records Augmented chord B.B. King 1934 births 1983 deaths Lead guitarists Trumpet Tulsa, Oklahoma Willie and the Hand Jive Lead guitar American soul guitarists Drummer Eric B. Fender Twin

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