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Joan de Castellnou (Occitan pronunciation: [dʒuˈan de kasˌtelˈnɔw]; fl. 1341–1355) was a troubadour of the Consistori del Gay Saber active in Toulouse. He left behind five or six cansos, three vers, a dansa, a , and a sirventes. His most famous works are non-lyric, however: a grammar (compendi) called Las flors del gay saber, estier dichas las Leys d'amors and a glossary (glosari) on the Doctrinal (1324) of his predecessor, Raimon de Cornet.

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  • Joan de Castellnou (ca)
  • Joan de Castellnou (de)
  • Joan de Castellnou (it)
  • Joan de Castellnou (en)
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  • Joan de Castelnou o Castellnou o Castelnau (fl. 1341–1355) fou un trobador d'origen occità actiu a la Corona d'Aragó i relacionat amb el Consistori del Gai Saber de Tolosa. Les darreres recerques l'han identificat amb un mestre de capella de la cort de Pere III el Cerimoniós i Elionor de Sicília (Martí 2007). (ca)
  • Joan de Castelnou o Castellnou o Castelnau (... – ...; fl. 1341-1355) è stato un trovatore del Consistori del Gay Saber attivo a Tolosa. (it)
  • Joan de Castellnou, auch Joan de Castelnou oder Joan de Castelnau war ein katalanischer Dichter des 14. Jahrhunderts aus dem Roussillon. Er war um 1341 vermutlich einer der sieben Troubadoure, die den Dichterwettbewerb der Jocs Florals (‚Blumenspiele‘) von Toulouse durchgeführt haben. Joan de Castellnou war der Verteidiger von den Leys d’amors, den Richtlinien für die Liebesdichtung. Er war der Autor von zwei prosaischen Abhandlungen: Darüber hinaus sind 11 Dichtungen von einer virtuosen Rhetorik aller Themen der Schule von Toulouse erhalten. (de)
  • Joan de Castellnou (Occitan pronunciation: [dʒuˈan de kasˌtelˈnɔw]; fl. 1341–1355) was a troubadour of the Consistori del Gay Saber active in Toulouse. He left behind five or six cansos, three vers, a dansa, a , and a sirventes. His most famous works are non-lyric, however: a grammar (compendi) called Las flors del gay saber, estier dichas las Leys d'amors and a glossary (glosari) on the Doctrinal (1324) of his predecessor, Raimon de Cornet. (en)
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  • Joan de Castelnou o Castellnou o Castelnau (fl. 1341–1355) fou un trobador d'origen occità actiu a la Corona d'Aragó i relacionat amb el Consistori del Gai Saber de Tolosa. Les darreres recerques l'han identificat amb un mestre de capella de la cort de Pere III el Cerimoniós i Elionor de Sicília (Martí 2007). (ca)
  • Joan de Castellnou, auch Joan de Castelnou oder Joan de Castelnau war ein katalanischer Dichter des 14. Jahrhunderts aus dem Roussillon. Er war um 1341 vermutlich einer der sieben Troubadoure, die den Dichterwettbewerb der Jocs Florals (‚Blumenspiele‘) von Toulouse durchgeführt haben. Joan de Castellnou war der Verteidiger von den Leys d’amors, den Richtlinien für die Liebesdichtung. Er war der Autor von zwei prosaischen Abhandlungen: * Compendi de la conexença dels vicis que’s podon esdevenir en los dictats del Gay Saber (eine Art Zusammenfassung der Leys d’amors, die gewidmet waren; aus dem Jahr 1341) * Kritischer Kommentar zu Doctrinal de trobar von Raimon de Cornet zur Lehre der Troubadourdichtung aus dem Jahr 1324, der dem Infante Pere, Sohn von Jaume II. von Katalonien-Aragon gewidmet war Darüber hinaus sind 11 Dichtungen von einer virtuosen Rhetorik aller Themen der Schule von Toulouse erhalten. (de)
  • Joan de Castellnou (Occitan pronunciation: [dʒuˈan de kasˌtelˈnɔw]; fl. 1341–1355) was a troubadour of the Consistori del Gay Saber active in Toulouse. He left behind five or six cansos, three vers, a dansa, a , and a sirventes. His most famous works are non-lyric, however: a grammar (compendi) called Las flors del gay saber, estier dichas las Leys d'amors and a glossary (glosari) on the Doctrinal (1324) of his predecessor, Raimon de Cornet. Joan's Glosari, usually dated to 1341, is a critical analysis of the Doctrinal, not a complete grammar in and of itself. It is dedicated to Peter, Count of Ribagorza. His Leys, however, is the latest and largest medieval Occitan grammatical treatise written with intention of preserving the literary form of the language. It is highly systematic and highly prescriptive. Its double title indicates the close relationship in the medieval lyrical tradition between the science of poetry (gay saber) and the art of love (amors). The dating of the Leys is less certain, Boase puts it between 1328 and 1337, while Jeanroy places it later, in 1355. It was probably commissioned by the Consistori to be a compendium of grammatical knowledge for a wide audience and to "unveil" the secret art of poetry. Its author—who goes unnamed, but is usually identified with Joan today—also seeks to restrain lovers from dishonest love. A parallel has been noticed between the Leys and the prologue of the Libro de Buen Amor of Juan Ruiz. (en)
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