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| - Kaigetsudō Ando (japanisch 懐月堂 安度, auch Kan’unshi (翰運子); tätig Anfang 18. Jahrhundert) war ein japanischer Künstler des Ukiyo-e, der vor allem wegen seiner gemalten Frauendarstellungen bekannt ist. (de)
- Kaigetsudō Ando (壊月堂安度 Kaigetsudō Ando? c. 1671-1743), también conocido como Ando Yasunori, fue un artista japonés. Fue el fundador de la llamada Escuela Kaigetsudō, ligada al género Ukiyo-e. Aunque se le ha considerado un autor influyente y prolífico es probable que muchas de las obras que se le atribuyen hayan sido pintadas por sus discípulos. Kaigetsudō constituye una rareza entre los principales artistas de ukiyo-e, ya que solo hizo pinturas y nunca grabados en madera. (es)
- Kaigetsudō Ando (壊月堂安度) fut un peintre japonais de renom, qui vécut de 1671 à 1743, selon les dates traditionnellement admises. (fr)
- 懐月堂 安度（かいげつどう あんど、生没年不詳）は、江戸時代の浮世絵師。 (ja)
- Кайгэцудо Андо (яп. 壊月堂 安度 Кайгэцудо: Андо, 1671—1743) — японский художник, один из ведущих мастеров укиё-э первой трети XVIII века. Не будучи прямым учеником Хисикавы Моронобу, Кайгэцудо Андо, тем не менее, продолжил его традиции и стал основателем самобытной школы Кайгэцудо. (ru)
- Кайґецудо Андо (бл. 1671 — 1743) — японський художник періоду Едо. Засновник школи малювання Кайґецудо. Китайська вимова імені «Андо» в японському написані звучить як Ясунорі. Тому його іноді називають Андо Ясунорі або Кайґецудо Ясунорі. (uk)
- Kaigetsudō Ando (壊月堂安度, c. 1671–1743), also known as Ando Yasunori, was a Japanese painter and the founder of the Kaigetsudō school of ukiyo-e art. Though influential and prolific, it is probable that many of the works attributed to him were painted by his disciples. He is a rarity among major ukiyo-e artists in that he made only paintings and never woodblock prints. (en)
- Kaigetsudō Ando (壊月堂安度, c. 1671–1743), também conhecido como Ando Yasunori, foi um pintor japonês, fundador da e importante elemento da história da arte ukiyo-e. Embora influente e prolífico, é tido que muitos dos trabalhos atribuídos a ele foram, na verdade, criados por seus discípulos. Umas das suas principais características criativas era a escolha pelo uso exclusivo da pintura, sem qualquer trabalho em xilogravura. (pt)
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| - Kaigetsudō Ando (japanisch 懐月堂 安度, auch Kan’unshi (翰運子); tätig Anfang 18. Jahrhundert) war ein japanischer Künstler des Ukiyo-e, der vor allem wegen seiner gemalten Frauendarstellungen bekannt ist. (de)
- Kaigetsudō Ando (壊月堂安度 Kaigetsudō Ando? c. 1671-1743), también conocido como Ando Yasunori, fue un artista japonés. Fue el fundador de la llamada Escuela Kaigetsudō, ligada al género Ukiyo-e. Aunque se le ha considerado un autor influyente y prolífico es probable que muchas de las obras que se le atribuyen hayan sido pintadas por sus discípulos. Kaigetsudō constituye una rareza entre los principales artistas de ukiyo-e, ya que solo hizo pinturas y nunca grabados en madera. (es)
- Kaigetsudō Ando (壊月堂安度, c. 1671–1743), also known as Ando Yasunori, was a Japanese painter and the founder of the Kaigetsudō school of ukiyo-e art. Though influential and prolific, it is probable that many of the works attributed to him were painted by his disciples. He is a rarity among major ukiyo-e artists in that he made only paintings and never woodblock prints. Ando lived in the Suwa-chō district of Asakusa in Edo (modern Tokyo) near Sensō-ji temple, and on a major road which led to the Yoshiwara north of the city. Principally active from 1700–1714, some scholars have surmised that his early training may have been in ema, wooden votive tablets sold at Shinto shrines. A distinctive element of his style is the sense of emptiness around his figures, an element which fits well with the medium of the ema; this theory is supported by the idea of his location on the main road, where a great number of pilgrims and travelers would have passed daily. Some scholars dismiss this theory, but it is nevertheless evident that Ando was closely connected to the trends of popular culture, art, and literature at the time. His style shows influences of the father of ukiyo-e painting, Hishikawa Moronobu, and his disciples, as well as influences from book illustrators such as Yoshida Hanbei. Ando's particular focus was on the bijinga (images of beautiful women), and in his time he and his studio nearly monopolized the production of images of the courtesans of the Yoshiwara, Edo's pleasure district. His style is especially distinguished by the elaborate, and often brilliantly colorful, patterns on the courtesan's kimono. These were truly images of the latest fashions, or perhaps of the artist's own fashion ideas, just as much as they were images of the women. It has also been said that his women had an austerity and aloofness that placed them above pure representations of sexuality, the Edo period equivalent of "pin-ups". As the founder of a school, it should come as no surprise that his style was fresh, new and innovative, and quite distinctive. This style would be continued by his direct disciples (some of whom were his sons or other direct relations), often so closely that paintings done by them have come to be misattributed to Ando. Kaigetsudō Ando's career came to an end in 1714, with the so-called "Ejima-Ikushima affair". It is not entirely clear how he was involved in this scandal which revolved around a high ranking court lady and a kabuki actor (who held a very low status in society, along with all actors and entertainers). All those involved were banished from Edo. (en)
- Kaigetsudō Ando (壊月堂安度) fut un peintre japonais de renom, qui vécut de 1671 à 1743, selon les dates traditionnellement admises. (fr)
- 懐月堂 安度（かいげつどう あんど、生没年不詳）は、江戸時代の浮世絵師。 (ja)
- Кайгэцудо Андо (яп. 壊月堂 安度 Кайгэцудо: Андо, 1671—1743) — японский художник, один из ведущих мастеров укиё-э первой трети XVIII века. Не будучи прямым учеником Хисикавы Моронобу, Кайгэцудо Андо, тем не менее, продолжил его традиции и стал основателем самобытной школы Кайгэцудо. (ru)
- Kaigetsudō Ando (壊月堂安度, c. 1671–1743), também conhecido como Ando Yasunori, foi um pintor japonês, fundador da e importante elemento da história da arte ukiyo-e. Embora influente e prolífico, é tido que muitos dos trabalhos atribuídos a ele foram, na verdade, criados por seus discípulos. Umas das suas principais características criativas era a escolha pelo uso exclusivo da pintura, sem qualquer trabalho em xilogravura. O particular foco de Ando recaia na bijin-ga, um estilo de se retratar belas mulheres. Na sua época, ele e sua escola quase que monopolizaram a produção de peças retratando cortesãs de Yoshiwara, zona de meretrício de Edo, hoje Tóquio. Seu estilo é especialmente distinto pelos elaborados e fortemente coloridos padrões nos quimonos das cortesãs. Tais representações destacavam a moda feminina vigente ou, menos frequentemente, eram criações do próprio pintor. Sua escolha temática tem sido definida, em comparação com a cultura ocidental, como o equivalente às pin-ups. (pt)
- Кайґецудо Андо (бл. 1671 — 1743) — японський художник періоду Едо. Засновник школи малювання Кайґецудо. Китайська вимова імені «Андо» в японському написані звучить як Ясунорі. Тому його іноді називають Андо Ясунорі або Кайґецудо Ясунорі. (uk)
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