Kanō Kazunobu (狩野 一信, 1816 – November 3, 1863) was a Japanese painter of the Kanō school. Kazunobu produced mainly Buddhist paintings and he is best known for his highly acclaimed Five Hundred Arhats. Some of his other surviving works are housed at the Senso-ji temple in Asakusa and the Shinshō-ji temple in Narita. He did not use the surname Kanō during his life, but rather signed with his wife's surname as Henmi Kazunobu (逸見一信) or with the art name Ken'yūsai Kazunobu (顕幽斎一信).
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| - Kanō Kazunobu (en)
- 狩野一信 (ja)
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| - Kanō Kazunobu (狩野 一信, 1816 – November 3, 1863) was a Japanese painter of the Kanō school. Kazunobu produced mainly Buddhist paintings and he is best known for his highly acclaimed Five Hundred Arhats. Some of his other surviving works are housed at the Senso-ji temple in Asakusa and the Shinshō-ji temple in Narita. He did not use the surname Kanō during his life, but rather signed with his wife's surname as Henmi Kazunobu (逸見一信) or with the art name Ken'yūsai Kazunobu (顕幽斎一信). (en)
- 狩野 一信(かのう かずのぶ、文化13年(1816年)誕生日不明 - 文久3年9月22日(1863年11月3日))は、江戸時代後期の絵師。本姓は不明、後に逸見。通称、豊次郎(とよじろう)。号は顕幽斎。なお、研究の進展により一信は生前に狩野姓を名乗ったことはなく、「逸見一信(へんみ かずのぶ)」、あるいは「顕幽斎一信(けんゆうさい かずのぶ)」と呼ぶのが適切とする意見もある(後述)。なお、徳川将軍家の表絵師として仕えた深川水場狩野家にという絵師がおり、両者を混同している書籍もあるが、両者は生歿年が異なる別人である。 増上寺に全100幅にも及ぶ大作「五百羅漢図」を残したことで知られる。 (ja)
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| - Kanō Kazunobu (en)
- 狩野 一信 (en)
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| - Kanō Kazunobu (en)
- 狩野 一信 (en)
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| - Kanō Kazunobu (狩野 一信, 1816 – November 3, 1863) was a Japanese painter of the Kanō school. Kazunobu produced mainly Buddhist paintings and he is best known for his highly acclaimed Five Hundred Arhats. Some of his other surviving works are housed at the Senso-ji temple in Asakusa and the Shinshō-ji temple in Narita. He did not use the surname Kanō during his life, but rather signed with his wife's surname as Henmi Kazunobu (逸見一信) or with the art name Ken'yūsai Kazunobu (顕幽斎一信). (en)
- 狩野 一信(かのう かずのぶ、文化13年(1816年)誕生日不明 - 文久3年9月22日(1863年11月3日))は、江戸時代後期の絵師。本姓は不明、後に逸見。通称、豊次郎(とよじろう)。号は顕幽斎。なお、研究の進展により一信は生前に狩野姓を名乗ったことはなく、「逸見一信(へんみ かずのぶ)」、あるいは「顕幽斎一信(けんゆうさい かずのぶ)」と呼ぶのが適切とする意見もある(後述)。なお、徳川将軍家の表絵師として仕えた深川水場狩野家にという絵師がおり、両者を混同している書籍もあるが、両者は生歿年が異なる別人である。 増上寺に全100幅にも及ぶ大作「五百羅漢図」を残したことで知られる。 (ja)
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