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Kanō Naizen (狩野 内膳, 1570–1616) was a part of the Japanese family of painters, the Kanō school. He was the middle son of school's head Kanō Eitoku, younger brother to the Kano school heir Kanō Mitsunobu, older brother to Kanō Takanobu, and adopted brother to the famed Kanō school painter Kanō Sanraku. Naizen primarily worked with his fathers and brothers in the head Kanō workshop in Kyoto to restore many imperial buildings, Buddhist temples, and Shinto shrines that were destroyed during the Kamakura period and the Genpei Wars. In 1610–15 Naizen moved to Edo (modern-day Tokyo), the new administration capital, at the behest of the recently ascendent Tokugawa shogunate, Tokugawa Ieyasu.

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  • Kanō Naizen (de)
  • Kanō Naizen (fr)
  • Kanō Naizen (en)
  • 狩野内膳 (ja)
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  • Kanō Naizen (japanisch 狩野 内膳, eigentliche Vornamen Shigesato (重郷), Shigenobu (重信), Rufname Kyūzō (久蔵); geb. 1570; gest. 18. Mai 1616) war ein japanischer Maler der Kanō-Schule während der Azuchi-Momoyama- und frühen Edo-Zeit. (de)
  • Kanō Naizen (狩野 内膳, 1570-1616) est un peintre japonaise de l'école Kanō, particulièrement connu pour ses peintures de paravents (byōbu) de nanban (barbares du sud, i.e. Européens). Une de ses œuvres les plus connues, « Festivals de Toyokuni » (豊国の祭り), fait partie de ce genre de peinture, créée en 1605 pour le septième anniversaire de la mort du régent kampaku, Toyotomi Hideyoshi, dont le nom posthume est Toyokuni Daimyōjin (豊国大名人). (fr)
  • 狩野 内膳(かのう ないぜん、元亀元年(1570年) - 元和2年4月3日(1616年5月18日))は、安土桃山時代・江戸時代初期の狩野派の絵師。内膳は号、名は重郷(しげさと)。通称は久蔵、幼名は九蔵。法名は一翁、或いは一翁斎。息子は日本初の画伝『丹青若木集』を著した。風俗画に優れ、「豊国祭礼図」「南蛮屏風」の作者として知られる。 (ja)
  • Kanō Naizen (狩野 内膳, 1570–1616) was a part of the Japanese family of painters, the Kanō school. He was the middle son of school's head Kanō Eitoku, younger brother to the Kano school heir Kanō Mitsunobu, older brother to Kanō Takanobu, and adopted brother to the famed Kanō school painter Kanō Sanraku. Naizen primarily worked with his fathers and brothers in the head Kanō workshop in Kyoto to restore many imperial buildings, Buddhist temples, and Shinto shrines that were destroyed during the Kamakura period and the Genpei Wars. In 1610–15 Naizen moved to Edo (modern-day Tokyo), the new administration capital, at the behest of the recently ascendent Tokugawa shogunate, Tokugawa Ieyasu. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Nanban-Screens-by-Kano-Naizen-c1600.png
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  • Kanō Naizen (japanisch 狩野 内膳, eigentliche Vornamen Shigesato (重郷), Shigenobu (重信), Rufname Kyūzō (久蔵); geb. 1570; gest. 18. Mai 1616) war ein japanischer Maler der Kanō-Schule während der Azuchi-Momoyama- und frühen Edo-Zeit. (de)
  • Kanō Naizen (狩野 内膳, 1570–1616) was a part of the Japanese family of painters, the Kanō school. He was the middle son of school's head Kanō Eitoku, younger brother to the Kano school heir Kanō Mitsunobu, older brother to Kanō Takanobu, and adopted brother to the famed Kanō school painter Kanō Sanraku. Naizen primarily worked with his fathers and brothers in the head Kanō workshop in Kyoto to restore many imperial buildings, Buddhist temples, and Shinto shrines that were destroyed during the Kamakura period and the Genpei Wars. In 1610–15 Naizen moved to Edo (modern-day Tokyo), the new administration capital, at the behest of the recently ascendent Tokugawa shogunate, Tokugawa Ieyasu. Stylistically Nazien is often overshadowed by his father and brothers; however he is particularly known for his byōbu screen paintings of Nanban ("Southern Barbarians", i.e. Europeans). Naizen acquired his name when officially entering the Kanō school; his personal name was Shigesato (重里). One of his more famous works, "Festivals of Toyokuni" (豊国の祭り), was one of these such paintings, produced in 1605 for the seventh anniversary of the death of Kampaku Toyotomi Hideyoshi, whose posthumous name was Toyokuni Daimyōjin (豊国大名人). (en)
  • Kanō Naizen (狩野 内膳, 1570-1616) est un peintre japonaise de l'école Kanō, particulièrement connu pour ses peintures de paravents (byōbu) de nanban (barbares du sud, i.e. Européens). Une de ses œuvres les plus connues, « Festivals de Toyokuni » (豊国の祭り), fait partie de ce genre de peinture, créée en 1605 pour le septième anniversaire de la mort du régent kampaku, Toyotomi Hideyoshi, dont le nom posthume est Toyokuni Daimyōjin (豊国大名人). (fr)
  • 狩野 内膳(かのう ないぜん、元亀元年(1570年) - 元和2年4月3日(1616年5月18日))は、安土桃山時代・江戸時代初期の狩野派の絵師。内膳は号、名は重郷(しげさと)。通称は久蔵、幼名は九蔵。法名は一翁、或いは一翁斎。息子は日本初の画伝『丹青若木集』を著した。風俗画に優れ、「豊国祭礼図」「南蛮屏風」の作者として知られる。 (ja)
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