About: Kazuo Yagi

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Kazuo Yagi (八木一夫, Yagi Kazuo, 1918–1979) was a Japanese potter and ceramic artist best known for spearheading the introduction of nonfunctional ceramic vessels to the Japanese pottery world. With an innovative ceramicist as his father, Yagi was sent to art school to study sculpture, instead of pottery. After graduating in 1937, he continued to train in the progressive circles, such as the National Ceramic Research Institute and the Japan Ceramic Sculpture Association. Following a short period of military service in 1939 and through the early postwar years, he was involved in a series of collectives that sought to transcend the traditional aesthetic values in not just ceramics but also in a range of visual media.

Attributes	Values
rdf:type	Thing
rdfs:label	Kazuo Yagi (en) 八木一夫 (ja)
rdfs:comment	八木一夫（やぎかずお、1918年（大正7年）7月4日 - 1979年（昭和54年）2月28日）は日本の陶芸家である。戦後復興期に前衛陶芸家集団「走泥社」を結成、器としての機能を持たない「オブジェ焼」と呼ばれる作品を発表し、現代陶芸に新分野を確立した。陶芸家の長男。長男は陶芸家の。 (ja) Kazuo Yagi (八木一夫, Yagi Kazuo, 1918–1979) was a Japanese potter and ceramic artist best known for spearheading the introduction of nonfunctional ceramic vessels to the Japanese pottery world. With an innovative ceramicist as his father, Yagi was sent to art school to study sculpture, instead of pottery. After graduating in 1937, he continued to train in the progressive circles, such as the National Ceramic Research Institute and the Japan Ceramic Sculpture Association. Following a short period of military service in 1939 and through the early postwar years, he was involved in a series of collectives that sought to transcend the traditional aesthetic values in not just ceramics but also in a range of visual media. (en)
dcterms:subject	Japanese potters 1918 births 1979 deaths Japanese artists
Wikipage page ID	68417770 (xsd:integer)
Wikipage revision ID	1116687801 (xsd:integer)
Link from a Wikipage to another Wikipage	Carbon Potter's wheel Sapporo The Metamorphosis Bauhaus Japanese potters Paul Klee Kyoto City University of Arts Kyō ware Sculpture Smoke Noémi Raymond 1918 births Gendai Bijutsu Kondankai Osamu Suzuki (ceramist) Yokohama Museum of Art Clay Cockroach Franz Kafka Freer Gallery of Art Gotoh Museum Museum of Modern Art Antonin Raymond Embroidery Photography Surrealism Musée Cernuschi 1972 Winter Olympics Auguste Rodin 1979 deaths Tokyo Metropolitan Teien Art Museum Wassily Kandinsky Mingei Ministry of Agriculture and Commerce Japanese artists Earthenware Nihonga Pablo Picasso Gojōzaka Kiln Kofun period Pottery Gregor Samsa Isamu Noguchi Abstract art China Joan Miró Sèvres Sōdeisha Art school Avant-garde Buncheong Burnishing (pottery) Philip Johnson Pine needle Cizhou ware Ikebana Kyoto Military service National Museum of Modern Art, Kyoto National Museum of Modern Art, Tokyo New York City Occupation of Japan Ceramic Ceramic glaze World War II Yayoi period Ikko Tanaka Shibui San Francisco Museum of Art dbr:Issō_Yagi
Link from a Wikipage to an external page	http://www.exitmelsa.jp/%3Fpost_type=shop&p=65 http://www.nihontouchoukai.org/ https://www.kcua.ac.jp/ https://www.mirviss.com/artists/yagi-kazuo https://asia.si.edu/exhibition/yagi-kazuo-a-retrospective/ https://www.mirviss.com/exhibitions/birds-of-dawn https://www.moma.org/calendar/exhibitions/2584
sameAs	Kazuo Yagi Kazuo Yagi Kazuo Yagi Kazuo Yagi Kazuo Yagi Kazuo Yagi Kazuo Yagi
dbp:wikiPageUsesTemplate	dbt:Authority_control dbt:Short_description
has abstract	Kazuo Yagi (八木一夫, Yagi Kazuo, 1918–1979) was a Japanese potter and ceramic artist best known for spearheading the introduction of nonfunctional ceramic vessels to the Japanese pottery world. With an innovative ceramicist as his father, Yagi was sent to art school to study sculpture, instead of pottery. After graduating in 1937, he continued to train in the progressive circles, such as the National Ceramic Research Institute and the Japan Ceramic Sculpture Association. Following a short period of military service in 1939 and through the early postwar years, he was involved in a series of collectives that sought to transcend the traditional aesthetic values in not just ceramics but also in a range of visual media. It was not until 1948 that Yagi established his own ceramics collective, Sōdeisha, a group which rejected extant models of pottery and deliberately sought to blur the line between pottery and sculpture. Inspired in part by Isamu Noguchi’s work in Japan in the early 1950s, which used ceramic materials to create modern abstract forms, Yagi and other members debuted so-called obuje-yaki ("kiln-fired objet "), or pottery with no functional purpose. The introduction of obuje-yaki was considered extremely radical at the time, because it questioned the very basis of ceramic objects. Yagi also introduced other experimental ceramic methods later in his career, such as burnishing his pottery objects black (so-called kokutō). Through his ceramic works, Yagi questioned the boundary between pottery and sculpture. However, his steadfast dedication to ceramics ultimately resulted in the nonfunctional ceramic vessel becoming an accepted type within Japanese pottery practice today. His legacy was felt through Sōdeisha, which continued even after his death, and his teaching at Kyoto City University of Arts. (en) 八木一夫（やぎかずお、1918年（大正7年）7月4日 - 1979年（昭和54年）2月28日）は日本の陶芸家である。戦後復興期に前衛陶芸家集団「走泥社」を結成、器としての機能を持たない「オブジェ焼」と呼ばれる作品を発表し、現代陶芸に新分野を確立した。陶芸家の長男。長男は陶芸家の。 (ja)

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