About: Lady Bird (composition)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:SystemOfMeasurement113577171, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FLady_Bird_%28composition%29&invfp=IFP_OFF&sas=SAME_AS_OFF

"Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, and released in 1948. Featuring, "a suave, mellow theme," it is the origin of the Tadd Dameron turnaround (in C: CM7 E♭7 A♭M7 D♭7). IM7 | IM7 | ii7/♭III | V7/♭III |IM7 | IM7 | ii7/♭VI | V7/♭VI |♭VIM7 | ♭VIM7 | ii7/V | V7/V |ii7 | V7 | IM7 ♭III7 | ♭VIM7 ♭II7 :|| IM7 ||

AttributesValues
rdf:type
rdfs:label
  • Lady Bird (composition) (fr)
  • Lady Bird (composition) (en)
rdfs:comment
  • Lady Bird est un standard de jazz composé par Tadd Dameron en 1939. (fr)
  • "Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, and released in 1948. Featuring, "a suave, mellow theme," it is the origin of the Tadd Dameron turnaround (in C: CM7 E♭7 A♭M7 D♭7). IM7 | IM7 | ii7/♭III | V7/♭III |IM7 | IM7 | ii7/♭VI | V7/♭VI |♭VIM7 | ♭VIM7 | ii7/V | V7/V |ii7 | V7 | IM7 ♭III7 | ♭VIM7 ♭II7 :|| IM7 || (en)
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
Link from a Wikipage to an external page
sameAs
dbp:wikiPageUsesTemplate
has abstract
  • "Lady Bird" is a sixteen-bar jazz standard by Tadd Dameron. This "celebrated" composition, "one of the most performed in modern jazz", was written around 1939, and released in 1948. Featuring, "a suave, mellow theme," it is the origin of the Tadd Dameron turnaround (in C: CM7 E♭7 A♭M7 D♭7). An example of Dameron's interest in keys and/or roots related by thirds, the piece is in binary form (AABC) and features, through the use of ii-V turnarounds, movement toward three keys other than the tonic; E♭, A♭, and G. The first three four-measure phrases end with secondary ii-V's, while the last ends instead with the Tadd Dameron turnaround resolving to the tonic. IM7 | IM7 | ii7/♭III | V7/♭III |IM7 | IM7 | ii7/♭VI | V7/♭VI |♭VIM7 | ♭VIM7 | ii7/V | V7/V |ii7 | V7 | IM7 ♭III7 | ♭VIM7 ♭II7 :|| IM7 || It has been recorded by Art Blakey, Don Byas, Miles Davis, Stan Getz, Dexter Gordon, Charles Mingus, Gerry Mulligan, Bud Powell, Chet Baker, Mary Lou Williams, Tete Montoliu, Horace Parlan, Andy LaVerne, and Barry Harris, as well as Tommy Flanagan and Hank Jones. It was also recorded by Remeo Hailey Jones for his fifth album We Are Nest! 2003 Extended Play. Miles Davis's "Half Nelson" uses, except for measures seven and eight, the same chord progression as "Lady Bird". "Lazy Susan" is also a contrafact of the Dameron piece. Stanley Cornfield wrote lyrics to the song. The first line is "We fit together like two birds of a feather." (en)
  • Lady Bird est un standard de jazz composé par Tadd Dameron en 1939. (fr)
gold:hypernym
prov:wasDerivedFrom
page length (characters) of wiki page
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 67 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software