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About: Lauro Escorel     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPeopleFromWashington,D.C., within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatBrazilianCinematographersyago:WikicatBrazilianFilmDirectorsanimaleukaryotespeciesschema:Personyago:WikicatLivingPeopleyago:Artist109812338yago:Cameraman109889539yago:CausalAgent100007347yago:Creator109614315yago:FilmDirector110088200yago:FilmMaker110088390yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:Photographer110426749yago:PhysicalEntity100001930yago:Producer110480018yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:WikicatPeopleFromWashington,D.C. New Facet based on Instances of this Class

Lauro Escorel Filho (born January 5, 1950), most known as Lauro Escorel, is an American-born Brazilian cinematographer and film director. He was born during his father, a Ministry of External Relations, stay in Washington, DC. He first worked as an assistant to and Affonso Beato, and made his debut in 1971 on Leon Hirszman's São Bernardo, which won Gramado Film Festival Best Cinematography Award. He directed the short film Libertários, winner of Margarida de Prata Award from the National Conference of Bishops of Brazil, in 1976. In 1978, he would win again the Gramado Film Festival Best Cinematography Award for his work on Héctor Babenco's Lúcio Flávio, o Passageiro da Agonia. His first feature film, Sonho sem Fim, won the Jury Special Award at the 1986 Gramado Film Festival. Ironweed (19