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Le Port, also known as The Harbor, The Port or simply Marine, is a painting by the French artist Jean Metzinger. The work was exhibited in the spring of 1912 at the Salon des Indépendants in Paris, and at the Salon de La Section d'Or, Galerie La Boétie, October 1912, Paris, (no. 117 of the catalogue, entitled Marine, collection Mme L. Ricou). Le Port was reproduced a few months later in the first major text on Cubism entitled Du "Cubisme", written in 1912 by Jean Metzinger and Albert Gleizes, published by Eugène Figuière Editeurs the same year. The Harbor was subsequently reproduced in The Cubist Painters, Aesthetic Meditations (Les Peintres cubistes, Méditations Esthétiques), written by Guillaume Apollinaire, published by Figuière in 1913 (collection Mme L. Ricou). At the Salon des Indépe

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  • Le Port (painting) (en)
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  • Le Port, also known as The Harbor, The Port or simply Marine, is a painting by the French artist Jean Metzinger. The work was exhibited in the spring of 1912 at the Salon des Indépendants in Paris, and at the Salon de La Section d'Or, Galerie La Boétie, October 1912, Paris, (no. 117 of the catalogue, entitled Marine, collection Mme L. Ricou). Le Port was reproduced a few months later in the first major text on Cubism entitled Du "Cubisme", written in 1912 by Jean Metzinger and Albert Gleizes, published by Eugène Figuière Editeurs the same year. The Harbor was subsequently reproduced in The Cubist Painters, Aesthetic Meditations (Les Peintres cubistes, Méditations Esthétiques), written by Guillaume Apollinaire, published by Figuière in 1913 (collection Mme L. Ricou). At the Salon des Indépe (en)
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  • Le Port (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Georges_Braque,_1909,_Port_en_Normandie_(Little_Harbor_in_Normandy),_81.1_x_80.5_cm_(32_x_31.7_in),_The_Art_Institute_of_Chicago.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/André_Derain,_1905,_Le_séchage_des_voiles_(The_Drying_Sails),_oil_on_canvas,_82_x_101_cm,_Pushkin_Museum,_Moscow._Exhibited_at_the_1905_Salon_d'Automne.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jean_Metzinger,_1911-12,_La_Femme_au_Cheval_-_The_Rider.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Albert_Gleizes,_1912,_Landschaft_bei_Paris,_Paysage_près_de_paris,_Paysage_de_Courbevoie,_oil_on_canvas,_72.8_x_87.1_cm,_missing_from_Hannover_since_1937.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jean_Metzinger,_1911-12,_The_Harbor,_location_unknown,_reproduced_in_Du_%22Cubism%22_1912.jpg
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  • English (en)
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  • The Harbor (en)
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  • Unknown (en)
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  • Jean Metzinger, 1911-12, The Harbor, location unknown, reproduced in Du "Cubism" 1912.jpg (en)
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  • Painting (en)
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  • cm (en)
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  • Whereabouts unknown (en)
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  • Le Port (en)
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  • Black and white reproduction (en)
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  • Le Port, also known as The Harbor, The Port or simply Marine, is a painting by the French artist Jean Metzinger. The work was exhibited in the spring of 1912 at the Salon des Indépendants in Paris, and at the Salon de La Section d'Or, Galerie La Boétie, October 1912, Paris, (no. 117 of the catalogue, entitled Marine, collection Mme L. Ricou). Le Port was reproduced a few months later in the first major text on Cubism entitled Du "Cubisme", written in 1912 by Jean Metzinger and Albert Gleizes, published by Eugène Figuière Editeurs the same year. The Harbor was subsequently reproduced in The Cubist Painters, Aesthetic Meditations (Les Peintres cubistes, Méditations Esthétiques), written by Guillaume Apollinaire, published by Figuière in 1913 (collection Mme L. Ricou). At the Salon des Indépendants of 1912, Apollinaire had noticed the classical Ingresque qualities of Metzinger's Le Port, and suggested that it deserved to be hung in the Musée du Luxembourg's modern art collection. The dimensions and current whereabouts of Le Port are unknown. (en)
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