• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Lionel Banks     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatProductionDesigners, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalyago:WikicatAmericanArtDirectorsyago:WikicatAmericanPeopleanimaleukaryotespeciesschema:Personyago:WikicatPeopleFromSaltLakeCity,Utahyago:ArtDirector109811112yago:CausalAgent100007347yago:Director110015215yago:Expert109617867yago:InteriorDesigner110210648yago:Leader109623038yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoyago:Specialist110631941yago:StageDirector110645223yago:Superior110676018yago:Supervisor110676877yago:Whole100003553yago:WikicatProductionDesigners New Facet based on Instances of this Class

With over 200 films to his credit, Lionel Banks (June 22, 1901 in Salt Lake City, Utah – March 20, 1950 in Los Angeles, California) was a hard-working art director from 1935 to 1949. In that time he worked on such films as Leo McCarey's The Awful Truth (1937), Howard Hawks' South American set Only Angels Have Wings (1939) and his rapid fire comedy classic the following year His Girl Friday, most of the Blondie B-movies, Alexander Hall's turn of the century fantasy Here Comes Mr. Jordan (1941) and Charles Vidor's lush Chopin biopic, A Song to Remember in 1945.