rdfs:comment
| - Cette liste présente les échecs cinématographiques ayant le plus perdu d'argent au box-office. Un film qui ne rentabilise pas son budget fait perdre de l'argent à son studio. Généralement, pour qu'un film ne perde pas de l'argent, il doit au moins avoir des recettes au box-office deux fois supérieures à son budget (une moitié des gains pour le studio, l'autre moitié pour les distributeurs généralement). (fr)
- 赤字映画の一覧(あかじえいがのいちらん)は、映画史上で特に興行的損失が大きかった映画(ボックスオフィス・ボム)の一覧である。 損失値は世界興行収入から映画の製作費及び宣伝費(発表があるもののみ)を差し引いたものである。DVDの売上などは考慮しない。インフレーション調整版は2008年時点のアメリカ合衆国ドルに合わせるものとする。 (ja)
- Na indústria do cinema e da mídia, se um filme lançado em cinema cuja arrecadação não supera o ponto de equilíbrio mesmo por uma pequena diferença, ele é considerado uma bomba de bilheteria ou fracasso comercial (box office bomb em Inglês). Estes déficits podem levar a falência a distribuidoras, estúdios ou a empresa de produção que investiram na produção do filme. (pt)
- In the film and media industry, if a film released in theatres fails to break even by a large amount, it is considered a box office bomb (or box office flop), thus losing money for the distributor, studio, and/or production company that invested in it. Due to the secrecy surrounding costs and profit margins in the film industry, figures of losses are usually rough estimates at best, and there are often conflicting estimates over how much a film has lost. To accommodate this uncertainty, the losses are presented as ranges where this is the case, and the list is ordered alphabetically in the absence of a definitive order. Because the films on the list have been released over a large span of time, currency inflation is a material factor, so losses are adjusted for inflation using the United S (en)
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