Wolfgang Amadeus Mozart (1756–1791) composed several masses and separate mass movements (such as Kyrie). Mozart composed most of his masses as a church musician in Salzburg:
* Masses for regular Sundays or smaller feasts belonged to the missa brevis type. In the context of Mozart's masses brevis (short) applies primarily to the duration, i.e. the whole mass ceremony took no longer than three quarters of an hour. Instrumentation for such a missa brevis would usually be limited to violins, continuo (which included the organ), and trombones doubling the choral parts of alto, tenor and bass.
* The generic name for longer masses was missa longa, for more solemn and festive occasions. Additional instruments include oboes, trumpets, timpani, and for some of them also French horns. Instead of tr
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| - Llista de misses de Wolfgang Amadeus Mozart (ca)
- List of masses by Wolfgang Amadeus Mozart (en)
- モーツァルトのミサ曲 (ja)
- Lijst van missen van Mozart (nl)
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| - モーツァルトのミサ曲では、ヴォルフガング・アマデウス・モーツァルトのミサ曲を作品リストにし、それらを述べる。
* (ja)
- Deze lijst bevat alle missen en het requiem van Mozart met de indeling volgens Köchel. (nl)
- La següent és una llista de misses de Wolfgang Amadeus Mozart (1756-1791). Mozart va compondre més de 600 obres diverses i moltes d'elles destaquen entre les obres més importants tant de l'òpera, com de la simfonia, el concert per a solista o la música de cambra. També va compondre diverses misses, la majoria d'elles quan era músic al servei de l'església a Salzburg. Unes quantes reben la denominació de Missa brevis (missa curta) i d'altres de Missa solemnis (missa solemne o festiva). Hi ha alguns casos que són "Missa brevis et solemnis", ja que, per una banda, són curtes però, per l'altra, incorporen instruments "festius" com ara trompetes. Els sobrenoms amb què se'n coneixen algunes, com ara «Spatzenmesse» ("Missa dels pardals"), es van afegir més tard. (ca)
- Wolfgang Amadeus Mozart (1756–1791) composed several masses and separate mass movements (such as Kyrie). Mozart composed most of his masses as a church musician in Salzburg:
* Masses for regular Sundays or smaller feasts belonged to the missa brevis type. In the context of Mozart's masses brevis (short) applies primarily to the duration, i.e. the whole mass ceremony took no longer than three quarters of an hour. Instrumentation for such a missa brevis would usually be limited to violins, continuo (which included the organ), and trombones doubling the choral parts of alto, tenor and bass.
* The generic name for longer masses was missa longa, for more solemn and festive occasions. Additional instruments include oboes, trumpets, timpani, and for some of them also French horns. Instead of tr (en)
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| - La següent és una llista de misses de Wolfgang Amadeus Mozart (1756-1791). Mozart va compondre més de 600 obres diverses i moltes d'elles destaquen entre les obres més importants tant de l'òpera, com de la simfonia, el concert per a solista o la música de cambra. També va compondre diverses misses, la majoria d'elles quan era músic al servei de l'església a Salzburg. Unes quantes reben la denominació de Missa brevis (missa curta) i d'altres de Missa solemnis (missa solemne o festiva). Hi ha alguns casos que són "Missa brevis et solemnis", ja que, per una banda, són curtes però, per l'altra, incorporen instruments "festius" com ara trompetes. Els sobrenoms amb què se'n coneixen algunes, com ara «Spatzenmesse» ("Missa dels pardals"), es van afegir més tard. Mozart va compondre la Gran missa en do menor, a Viena entre 1782 i 1783, però la va deixar inconclusa. És formalment una Missa solemnis perquè el "Glòria" i el "Credo" es divideixen en diversos moviments. Mozart no va donar el nom, però va iniciar la primera pàgina amb el títol "Kyrie". El 1791, va compondre una Missa de rèquiem que va quedar inacabada en el moment de morir i la va concloure el seu deixeble Franz Xaver Süssmayr. (ca)
- Wolfgang Amadeus Mozart (1756–1791) composed several masses and separate mass movements (such as Kyrie). Mozart composed most of his masses as a church musician in Salzburg:
* Masses for regular Sundays or smaller feasts belonged to the missa brevis type. In the context of Mozart's masses brevis (short) applies primarily to the duration, i.e. the whole mass ceremony took no longer than three quarters of an hour. Instrumentation for such a missa brevis would usually be limited to violins, continuo (which included the organ), and trombones doubling the choral parts of alto, tenor and bass.
* The generic name for longer masses was missa longa, for more solemn and festive occasions. Additional instruments include oboes, trumpets, timpani, and for some of them also French horns. Instead of treating each part of the mass liturgy in a continuous rendition of the text, there are repeats, fugues, and subdivisions in several movements with separate orchestral introductions.
* Missa longa is usually synonymous with missa solemnis (solemn mass), however in Mozart's Salzburg (due to duration restrictions imposed by archbishop Colloredo), a hybrid brevis et solemnis (short and solemn) seems to have existed, short in duration, but nonetheless for the more festive occasions, for example including a more elaborate orchestration than the usual missa brevis. After moving to Vienna Mozart started to compose the Great Mass in C minor, with a broad orchestration including violas and 12 wind instruments. In 1791, he started writing a Requiem mass, which was unfinished when he died and was first completed by his pupil Franz Xaver Süssmayr. Most nicknames of the masses were later additions. The attribution to Mozart has been disputed for several masses, most of these spurious works first published by Vincent Novello from 1819. (en)
- モーツァルトのミサ曲では、ヴォルフガング・アマデウス・モーツァルトのミサ曲を作品リストにし、それらを述べる。
* (ja)
- Deze lijst bevat alle missen en het requiem van Mozart met de indeling volgens Köchel. (nl)
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of | - Missa brevis (disambiguation)
- Kyrie in F major, K. 33
- Köchel catalogue
- Mass (music)
- Coronation Mass (Mozart)
- Mass (liturgy)
- Mass No. 4 (Schubert)
- Mass in B-flat major, K. 275
- Mass in C major, K. 167 "in honorem Sanctissimae Trinitatis"
- Mass in C major, K. 220 "Sparrow"
- Mass in C major, K. 257 "Credo"
- Mass in C major, K. 258 "Piccolomini"
- Mass in C major, K. 259 "Organ solo"
- Mass in C major, K. 262 "Missa longa"
- Mass in C major, K. 337 "Solemnis"
- Mass in C major, K. 66 "Dominicus"
- Mass in D major, K. 194
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