About: Los Angeles 1955–1985: A Birth of an Artistic Capital     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : dbo:Convention, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FLos_Angeles_1955%E2%80%931985%3A_A_Birth_of_an_Artistic_Capital&invfp=IFP_OFF&sas=SAME_AS_OFF

Los Angeles 1955–1985: Birth of an Art Capital was a historical exhibition detailing the emergence of Los Angeles as a post-war arts capital, organized by Catherine Grenier for the Centre Georges Pompidou in 2006. The exhibition was thought to be a watershed for Los Angeles' reception as a serious center of contemporary art, as described by then-curator at the Los Angeles County Museum of Art Carol S Eliel:

AttributesValues
rdf:type
rdfs:label
  • Los Angeles 1955–1985: A Birth of an Artistic Capital (en)
rdfs:comment
  • Los Angeles 1955–1985: Birth of an Art Capital was a historical exhibition detailing the emergence of Los Angeles as a post-war arts capital, organized by Catherine Grenier for the Centre Georges Pompidou in 2006. The exhibition was thought to be a watershed for Los Angeles' reception as a serious center of contemporary art, as described by then-curator at the Los Angeles County Museum of Art Carol S Eliel: (en)
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
sameAs
dbp:wikiPageUsesTemplate
has abstract
  • Los Angeles 1955–1985: Birth of an Art Capital was a historical exhibition detailing the emergence of Los Angeles as a post-war arts capital, organized by Catherine Grenier for the Centre Georges Pompidou in 2006. The exhibition was thought to be a watershed for Los Angeles' reception as a serious center of contemporary art, as described by then-curator at the Los Angeles County Museum of Art Carol S Eliel: Organized in Paris by a major museum with a large and international audience, it could not be considered local or boosterish, but rather was seen as the fourth in a series of major, critically acclaimed Pompidou shows that focused on international centers of cutting-edge artistic activity earlier in the twentieth century: Paris–New York, Paris–Berlin, and Paris–Moscow. The exhibition is also somewhat infamous, as two works (a 1971 wall sculpture by Peter Alexander and 1967 wall relief by Craig Kauffman) were destroyed because of poor handling at two separate moments during the show's run. (en)
gold:hypernym
prov:wasDerivedFrom
page length (characters) of wiki page
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
is Wikipage redirect of
is foaf:primaryTopic of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 62 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software