• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Lost operas by Claudio Monteverdi     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Wikicat1641Operas, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: yago:WikicatLostOperasyago:WikicatUnfinishedOperasyago:WikicatOperasBasedOnGreco-RomanMythologyyago:WikicatOperasByClaudioMonteverdiyago:Abstraction100002137yago:AuditoryCommunication107109019yago:ClassicalMusic107025900yago:Communication100033020yago:ExpressiveStyle107066659yago:Music107020895yago:MusicGenre107071942yago:Opera107026352yago:WikicatItalian-languageOperasyago:Wikicat1608Operasyago:Wikicat1641Operas New Facet based on Instances of this Class

The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included operas, of which three—L'Orfeo (1607), Il ritorno d'Ulisse in patria (1640) and L'incoronazione di Poppea (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. The loss of these works, written during a critical period of early opera history, has been much regretted by commentators and musicologists.