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Louisa Matthíasdóttir (February 20, 1917 – February 26, 2000) was an Icelandic-American painter. Louisa was born in Reykjavík. From 1925 to 1937 she grew up in the famous Höfði house since her family resided there. She showed artistic ability at an early age, and studied first in Denmark and then under Marcel Gromaire in Paris. Her early paintings, dating from the late 1930s, established her as a leading figure in the Icelandic avant-garde community (many of whom met together in a house in Reykjavík called ). In these paintings, subjects are painted with a broad brush, emphasizing geometric form. According to Louisa, "it was around this time that I started to do my paintings in one unbroken session". These paintings already show much of the character of Louisa's mature work, but are more s

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  • Louisa Matthíasdóttir (de)
  • Louisa Matthíasdóttir (it)
  • Louisa Matthíasdóttir (fr)
  • Louisa Matthíasdóttir (en)
  • Louisa Matthíasdóttir (nl)
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  • Louisa Matthíasdóttir (* 20. Februar 1917 in Reykjavík; † 26. Februar 2000 in , New York) war eine isländisch-amerikanische Malerin. Ihre Arbeiten wurden unter anderem in die Sammlungen der Tate Gallery in London und diverse Museen in Skandinavien und den USA aufgenommen. (de)
  • Louisa Matthíasdóttir, née le 20 février 1917 à Reykjavik et morte le 26 février 2000 à Delhi (New York), est une peintre islando-américaine. (fr)
  • Louisa Matthíasdóttir (Reykjavík, 20 febbraio 1917 – Delhi, 26 febbraio 2000) è stata una pittrice islandese naturalizzata statunitense. (it)
  • Louisa Matthíasdóttir (Reykjavik, 20 februari 1917 - (New York), 26 februari 2000) was een IJslands-Amerikaanse kunstschilderes. (nl)
  • Louisa Matthíasdóttir (February 20, 1917 – February 26, 2000) was an Icelandic-American painter. Louisa was born in Reykjavík. From 1925 to 1937 she grew up in the famous Höfði house since her family resided there. She showed artistic ability at an early age, and studied first in Denmark and then under Marcel Gromaire in Paris. Her early paintings, dating from the late 1930s, established her as a leading figure in the Icelandic avant-garde community (many of whom met together in a house in Reykjavík called ). In these paintings, subjects are painted with a broad brush, emphasizing geometric form. According to Louisa, "it was around this time that I started to do my paintings in one unbroken session". These paintings already show much of the character of Louisa's mature work, but are more s (en)
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  • Louisa Matthíasdóttir (en)
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  • Louisa Matthíasdóttir (en)
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