• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Love & Pop     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : umbel-rc:Movie_CW, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatToeiCompanyFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:WikicatJapanese-languageFilmsyago:WikicatJapaneseFilmsyago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1998Filmsyago:WikicatFilmsDirectedByHideakiAnnoumbel-rc:Movie_CW New Facet based on Instances of this Class

Love & Pop (ラブ&ポップ, Rabu & Poppu) is a 1998 Japanese experimental coming-of-age film directed and co-written by Hideaki Anno, based on the novel Topaz II by Ryū Murakami. It was Anno's first live action feature-length film. The film was shot almost entirely on hand-held digital cameras and contains some very unusual camera work, including many different mounted camera positions, such as on a model train riding on tracks. The film also flips from widescreen to fullscreen, distorts (with effects such as a fisheye lens), confuses, and makes use of overlays stacked in layers to convey the character's emotions.