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The Maddale (Kannada: ಮದ್ದಲೆ) also called Mrudanga(ಮೃದಂಗ) in North Canara region is a percussion instrument from Karnataka, India. It is the primary rhythmic accompaniment in a Yakshagana ensemble along with Chande. Maddale also represents a remarkable progress in percussive instruments as it produces the perfectly hormonic tonic (shruti swara) when played anywhere on the surface compared to Mrudangam, Pakawaj or Tabla that can not produce the tonic (shruti) on all parts of the drum surface. The traditional variety of Maddale was 30 cm long, had 8 inch drum head for right and produced the louder sound. These days 6 - 6.5 inch wide right side maddale is used with only a few using 7 inch wide. Left bass side is about an inch (few hairs less) bigger than right. Maddale is available in more th

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  • Maddale (de)
  • Maddale (en)
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  • Maddale (kannada ಮದ್ದಲೆ maddaḷe), malayalam madhalam, tamil und telugu maddalam, ist eine zweifellige Doppelkonustrommel, die vor allem in der religiösen Volksmusik in den südindischen Bundesstaaten Karnataka, Kerala und Tamil Nadu mit den Händen gespielt wird. Die namensverwandten regionalen Varianten unterscheiden sich in der Bauart wenig und entsprechen dem Typ der in klassischen südindischen Musik gespielten mridangam. Die Trommeln werden bei einer Vielzahl von Tempelfesten und Prozessionen eingesetzt, die sich nach dem Jahreszyklus richten. Im Süden von Karnataka gehört die maddale zusammen mit der Zylindertrommel chande zur Begleitung des Yakshagana-Tanztheaters, in Kerala spielt die madhalam im zeremoniellen Trommelorchester . (de)
  • The Maddale (Kannada: ಮದ್ದಲೆ) also called Mrudanga(ಮೃದಂಗ) in North Canara region is a percussion instrument from Karnataka, India. It is the primary rhythmic accompaniment in a Yakshagana ensemble along with Chande. Maddale also represents a remarkable progress in percussive instruments as it produces the perfectly hormonic tonic (shruti swara) when played anywhere on the surface compared to Mrudangam, Pakawaj or Tabla that can not produce the tonic (shruti) on all parts of the drum surface. The traditional variety of Maddale was 30 cm long, had 8 inch drum head for right and produced the louder sound. These days 6 - 6.5 inch wide right side maddale is used with only a few using 7 inch wide. Left bass side is about an inch (few hairs less) bigger than right. Maddale is available in more th (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Maddalebona.jpg
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  • Maddale (kannada ಮದ್ದಲೆ maddaḷe), malayalam madhalam, tamil und telugu maddalam, ist eine zweifellige Doppelkonustrommel, die vor allem in der religiösen Volksmusik in den südindischen Bundesstaaten Karnataka, Kerala und Tamil Nadu mit den Händen gespielt wird. Die namensverwandten regionalen Varianten unterscheiden sich in der Bauart wenig und entsprechen dem Typ der in klassischen südindischen Musik gespielten mridangam. Die Trommeln werden bei einer Vielzahl von Tempelfesten und Prozessionen eingesetzt, die sich nach dem Jahreszyklus richten. Im Süden von Karnataka gehört die maddale zusammen mit der Zylindertrommel chande zur Begleitung des Yakshagana-Tanztheaters, in Kerala spielt die madhalam im zeremoniellen Trommelorchester . (de)
  • The Maddale (Kannada: ಮದ್ದಲೆ) also called Mrudanga(ಮೃದಂಗ) in North Canara region is a percussion instrument from Karnataka, India. It is the primary rhythmic accompaniment in a Yakshagana ensemble along with Chande. Maddale also represents a remarkable progress in percussive instruments as it produces the perfectly hormonic tonic (shruti swara) when played anywhere on the surface compared to Mrudangam, Pakawaj or Tabla that can not produce the tonic (shruti) on all parts of the drum surface. The traditional variety of Maddale was 30 cm long, had 8 inch drum head for right and produced the louder sound. These days 6 - 6.5 inch wide right side maddale is used with only a few using 7 inch wide. Left bass side is about an inch (few hairs less) bigger than right. Maddale is available in more than three different variations. Maddale used in Yakshagana looks similar to mridangam but is markedly different in structure, acoustics, playing techniques and the rhythm system (Yakshagana Tala). (en)
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