About: Magdeburg Ivories

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The Magdeburg Ivories are a set of 16 surviving ivory panels illustrating episodes of Christ's life. They were commissioned by Emperor Otto I, probably to mark the dedication of Magdeburg Cathedral, and the raising of the Magdeburg see to an archbishopric in 968. The panels were initially part of an unknown object in the cathedral that has been variously conjectured to be an antependium or altar front, a throne, door, pulpit, or an ambon; traditionally this conjectural object, and therefore the ivories as a group, has been called the Magdeburg Antependium. This object is believed to have been dismantled or destroyed in the 1000s, perhaps after a fire in 1049.

Attributes	Values
rdf:type	Thing
rdfs:label	Magdeburg Ivories (en)
rdfs:comment	The Magdeburg Ivories are a set of 16 surviving ivory panels illustrating episodes of Christ's life. They were commissioned by Emperor Otto I, probably to mark the dedication of Magdeburg Cathedral, and the raising of the Magdeburg see to an archbishopric in 968. The panels were initially part of an unknown object in the cathedral that has been variously conjectured to be an antependium or altar front, a throne, door, pulpit, or an ambon; traditionally this conjectural object, and therefore the ivories as a group, has been called the Magdeburg Antependium. This object is believed to have been dismantled or destroyed in the 1000s, perhaps after a fire in 1049. (en)
foaf:depiction
dcterms:subject	Ottonian sculptures Objets d'art of the Louvre Sculptures of the British Museum Sculptures of the Berlin State Museums Sculptures of the Metropolitan Museum of Art Ivory works of art Medieval European objects in the British Museum Magdeburg 10th-century sculptures National Museums Liverpool
Wikipage page ID	59776007 (xsd:integer)
Wikipage revision ID	1104074542 (xsd:integer)
Link from a Wikipage to another Wikipage	Ambon (liturgy) Ottonian sculptures Bavarian National Museum Berlin State Library Antependium Holy Roman Empire Visitation (Christianity) Doubting Thomas Life of Christ in art Raising of Lazarus Compiègne Saint John Abbey, Müstair Office of Public Sector Information Simon the Pharisee Cleveland Museum of Art Great Commission Munich Objets d'art of the Louvre Openwork Ottonian art Liverpool Lorraine Louvre Magdeburg Magdeburg Cathedral Feeding the multitude Kulturhistorisches Museum Magdeburg Raising of the son of the widow of Nain Musée Antoine Vivenel British Museum Sculptures of the British Museum Cultural depictions of Otto I, Holy Roman Emperor Darmstadt Sculptures of the Berlin State Museums Exorcism of the Gerasene demoniac Otto I, Holy Roman Emperor Paris Gerasa (Judaea) Relief Hessisches Landesmuseum Darmstadt Sculptures of the Metropolitan Museum of Art Ivory works of art Jesus and the woman taken in adultery Codex Wittekindeus Coin in the fish's mouth Medieval European objects in the British Museum Magdeburg 10th-century sculptures National Museums Liverpool Pontius Pilate Finding in the Temple Metropolitan Museum of Art Metz New York City Christ in Majesty World Museum Peter Lasko Flagellation of Christ Gilding Treasure binding V&A Museum
Link from a Wikipage to an external page	http://earlymedieval.archeurope.info/index.php%3Fpage=the-magdeburg-ivories http://www.metmuseum.org/toah/hd/gi1k/hd_gi1k.htm https://books.google.co.uk/books%3Fid=PwJb18lq5gkC&pg=PA89&lpg=PA89
sameAs	Magdeburg Ivories Magdeburg Ivories Magdeburg Ivories
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thumbnail	wiki-commons:Special:FilePath/Christ_Magdeburg_Cathedral_Met_41.100.157.jpg?width=300
has abstract	The Magdeburg Ivories are a set of 16 surviving ivory panels illustrating episodes of Christ's life. They were commissioned by Emperor Otto I, probably to mark the dedication of Magdeburg Cathedral, and the raising of the Magdeburg see to an archbishopric in 968. The panels were initially part of an unknown object in the cathedral that has been variously conjectured to be an antependium or altar front, a throne, door, pulpit, or an ambon; traditionally this conjectural object, and therefore the ivories as a group, has been called the Magdeburg Antependium. This object is believed to have been dismantled or destroyed in the 1000s, perhaps after a fire in 1049. They are often assumed to have been made in Milan, then an important political and artistic center of the Holy Roman Empire; art historian Peter Lasko, however, has argued on stylistic grounds for artists trained in the Lorraine area, possibly in Metz. The group of plaques is widely considered a key example of Ottonian art, exemplifying in sculpture the Ottonian style that survives more often in manuscript illustrations. (en)
prov:wasDerivedFrom	wikipedia-en:Magdeburg_Ivories?oldid=1104074542&ns=0

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