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| - El Yelmo de Mambrino hace referencia a un alegórico yelmo de oro puro que hacía invulnerable a su portador, propiedad original del legendario rey moro Mambrino (en realidad tal nombre procedería del escritor italiano de novelas de caballería llamado Mambrino Roseo). La posesión del casco era la ambición de todos los paladines de Carlomagno y fue definitivamente conquistado por Renaud de Montauban, según aparece en la obra Orlando innamorato. (es)
- Mambrino was a fictional Moorish king, celebrated in the romances of chivalry. His first appearance is in the late fourteenth-century Cantari di Rinaldo, also known as Rinaldo da Monte Albano, Rinaldo Innamorato or Innamoramento di Rinaldo. The Cantari di Rinaldo is an adaptation of the Old French chanson de geste, Renaud de Montauban, also known as Les Quatre Fils Aymon. In the Old French, Renaud defeats the Saracen king Begon, who was invading King Yon’s kingdom of Gascony. The Italian replaces Begon with Mambrino, and furnishes him with an elaborate backstory. In the Cantari, Mambrino is one of six brothers, all giants. Four of the brothers had been decapitated by Rinaldo on various occasions earlier in the poem, so that his invasion of Gascony was motivated by his desire for vengeance. (en)
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| - El Yelmo de Mambrino hace referencia a un alegórico yelmo de oro puro que hacía invulnerable a su portador, propiedad original del legendario rey moro Mambrino (en realidad tal nombre procedería del escritor italiano de novelas de caballería llamado Mambrino Roseo). La posesión del casco era la ambición de todos los paladines de Carlomagno y fue definitivamente conquistado por Renaud de Montauban, según aparece en la obra Orlando innamorato. Cervantes, en su novela Don Quijote de la Mancha, habla de un barbero que estando desarropado bajo la lluvia se protege utilizando como sombrero su bacía, una vasija generalmente de metal brillante con una escotadura por donde se metía la barba al afeitado y que se ha estado usando hasta tiempos recientes. Don Quijote insiste entonces en que ese cuenco es el yelmo encantado del rey moro y finalmente se lo sustrae, pues desea obtenerlo con el fin de hacerse invulnerable. Es esa una de las escasas aventuras en las que el hidalgo sale con buen fin. Al ceñirse este adminículo de barbero, tan poco caballeresco, la figura del caballero acrecentaba su aspecto ridículo, que se ha hecho corriente en sus representaciones gráficas. En el musical El hombre de La Mancha, una canción entera se construye en torno a la búsqueda del personaje principal del casco y su encuentro con el barbero. (es)
- Mambrino was a fictional Moorish king, celebrated in the romances of chivalry. His first appearance is in the late fourteenth-century Cantari di Rinaldo, also known as Rinaldo da Monte Albano, Rinaldo Innamorato or Innamoramento di Rinaldo. The Cantari di Rinaldo is an adaptation of the Old French chanson de geste, Renaud de Montauban, also known as Les Quatre Fils Aymon. In the Old French, Renaud defeats the Saracen king Begon, who was invading King Yon’s kingdom of Gascony. The Italian replaces Begon with Mambrino, and furnishes him with an elaborate backstory. In the Cantari, Mambrino is one of six brothers, all giants. Four of the brothers had been decapitated by Rinaldo on various occasions earlier in the poem, so that his invasion of Gascony was motivated by his desire for vengeance. Rinaldo, as the Italians called Renaud, wins the war by defeating Mambrino in single combat and decapitating him as well. Mambrino’s helmet, in this poem, has for its crest an idol which is so constructed that whenever the wind blows through it, it says, “Long live the most noble lord Mambrino, and all his barons.” In later poems, Mambrino’s helmet was made of pure gold and rendered its wearer invulnerable. These are the helmet's attributes in the Orlando Innamorato and the Orlando Furioso, throughout which poems it is worn by Rinaldo. Francesco Cieco da Ferrara's poem, Mambriano, is about the titular son of Mambrino's sister and his attempt to avenge his uncle. Both the sister and the nephew were invented by Francesco. Cervantes, in his novel Don Quixote de la Mancha, tells us of a barber who was caught in the rain, and to protect his hat clapped his brazen basin on his head. Don Quixote insisted that this basin was the enchanted helmet of the Moorish king. Don Quixote wishes to obtain the helmet in order to make himself invulnerable. In the musical Man of La Mancha, an entire song is constructed around the titular character's search for the helmet and his encounter with the barber. There is a reference in Patrick Leigh Fermor's Mani to Mambrino with respect to a very large straw hat worn by a Greek man in the 1930s. "[The man] came loping towards us under his giant Mambrino's helmet of straw." (en)
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