Margaret Salmon is an American and British based film maker-artist. The work of this New York-born filmmaker is fuelled by references to the great realist tradition in film, be it the propaganda documentary of the Farm Security Administration in the United States, Italian neorealism, or French cinéma vérité. Her subjects are taken from everyday life: people with modest incomes, showing their at once ordinary and dramatic lives. Salmon is particularly sensitive to interactions between the soundtrack and the image, which she uses to produce disturbing effects that heighten the documentary sobriety of her films with a lyrical dimension. She shoots all of her works, working as both Director and Cinematographer, on 16mm & 35mm film.
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| - Margaret Salmon is an American and British based film maker-artist. The work of this New York-born filmmaker is fuelled by references to the great realist tradition in film, be it the propaganda documentary of the Farm Security Administration in the United States, Italian neorealism, or French cinéma vérité. Her subjects are taken from everyday life: people with modest incomes, showing their at once ordinary and dramatic lives. Salmon is particularly sensitive to interactions between the soundtrack and the image, which she uses to produce disturbing effects that heighten the documentary sobriety of her films with a lyrical dimension. She shoots all of her works, working as both Director and Cinematographer, on 16mm & 35mm film. (en)
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| - Margaret Salmon is an American and British based film maker-artist. The work of this New York-born filmmaker is fuelled by references to the great realist tradition in film, be it the propaganda documentary of the Farm Security Administration in the United States, Italian neorealism, or French cinéma vérité. Her subjects are taken from everyday life: people with modest incomes, showing their at once ordinary and dramatic lives. Salmon is particularly sensitive to interactions between the soundtrack and the image, which she uses to produce disturbing effects that heighten the documentary sobriety of her films with a lyrical dimension. She shoots all of her works, working as both Director and Cinematographer, on 16mm & 35mm film. She won the first MaxMara Art Prize for Women in association with the Whitechapel in London in 2006. She has had a solo show at the Witte de With, Rotterdam and the Whitechapel Art Gallery in London in 2007 and Salmon was shown at The Venice Biennale in 2007. (en)
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