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Masataka Takayama (高山 正隆, Takayama Masataka; 15 May 1895 - 14 April 1981) was one of the most prominent Japanese photographers in the first half of the twentieth century. Takayama was born in Tokyo, Japan. As an amateur photographer, he published many of his works in the magazine Geijutsu Shashin Kenkyū (芸術写真研究), beginning in the 1920s. He remained an active photographer even after World War II. He was talented at pictorialist (art) photography and took many photographs using a soft focus lens and deformation and "wipe-out" techniques.

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  • Masataka Takayama (fr)
  • Masataka Takayama (photographer) (en)
  • 高山正隆 (ja)
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  • Masataka Takayama (高山 正隆, Takayama Masataka), 15 mai 1895 - 14 avril 1981, est un des plus importants photographes japonais de la première moitié du XXe siècle. (fr)
  • 高山 正隆（たかやま まさたか、1895年 - 1981年）は、日本の戦前を代表する写真家のひとり。 科学者の高山甚太郎の子として東京府東京市牛込区で生まれる。アルスの雑誌『芸術写真研究』の「月例懸賞」に写真作品を応募し、中島謙吉に見出される。 ピクトリアリスム作品に長け、この分野において初期の指折り数えられるような写真家に含まれる。野島康三らの世代の次の世代の芸術写真を代表する写真家。特に単玉のついたヴェスト・ポケット・コダック（いわゆるベス単）を好んで用いたため「ベス単派」と呼ばれる。ソフトフォーカス、デフォルマシオンなどを特徴としたピクトリアリスム作品からは、叙情性が強く発露されている。 (ja)
  • Masataka Takayama (高山 正隆, Takayama Masataka; 15 May 1895 - 14 April 1981) was one of the most prominent Japanese photographers in the first half of the twentieth century. Takayama was born in Tokyo, Japan. As an amateur photographer, he published many of his works in the magazine Geijutsu Shashin Kenkyū (芸術写真研究), beginning in the 1920s. He remained an active photographer even after World War II. He was talented at pictorialist (art) photography and took many photographs using a soft focus lens and deformation and "wipe-out" techniques. (en)
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  • Masataka Takayama (高山 正隆, Takayama Masataka), 15 mai 1895 - 14 avril 1981, est un des plus importants photographes japonais de la première moitié du XXe siècle. (fr)
  • Masataka Takayama (高山 正隆, Takayama Masataka; 15 May 1895 - 14 April 1981) was one of the most prominent Japanese photographers in the first half of the twentieth century. Takayama was born in Tokyo, Japan. As an amateur photographer, he published many of his works in the magazine Geijutsu Shashin Kenkyū (芸術写真研究), beginning in the 1920s. He remained an active photographer even after World War II. He was talented at pictorialist (art) photography and took many photographs using a soft focus lens and deformation and "wipe-out" techniques. Takayama usually used a "vest-pocket" Kodak camera (a very compact folding model taking 127 film) with a single-element lens (a tangyoku lens in Japanese). These cameras (and Japanese derivatives such as the Rokuoh-sha Pearlette and Minolta Vest) were popular in Japan at the time for snapshot use, and called ves-tan (ベス単, in Japanese pronunciation besutan) cameras; "ves" coming from "vest" and "tan" from tangyoku. Takayama's works are thus said to belong to the "ves-tan" (besutan) school. (en)
  • 高山 正隆（たかやま まさたか、1895年 - 1981年）は、日本の戦前を代表する写真家のひとり。 科学者の高山甚太郎の子として東京府東京市牛込区で生まれる。アルスの雑誌『芸術写真研究』の「月例懸賞」に写真作品を応募し、中島謙吉に見出される。 ピクトリアリスム作品に長け、この分野において初期の指折り数えられるような写真家に含まれる。野島康三らの世代の次の世代の芸術写真を代表する写真家。特に単玉のついたヴェスト・ポケット・コダック（いわゆるベス単）を好んで用いたため「ベス単派」と呼ばれる。ソフトフォーカス、デフォルマシオンなどを特徴としたピクトリアリスム作品からは、叙情性が強く発露されている。 (ja)
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