The Master of the Imhoff Altar (fl. c. 1410–1420) was a German painter. His name comes from an altarpiece, dating to between 1418 and 1422, commissioned by Konrad Imhoff for the Lorenzkirche in Nuremberg. Only the central panel, depicting the Coronation of the Virgin, and the wings, depicting several apostles, are still preserved in the church, albeit partially disassembled. On the inner wings, flanking the Coronation, may be found a donor portrait of the donor with three of his four wives. Originally the back of the altarpiece held an image of Christ as the Man of Sorrows, with the Virgin Mary and Saint John. This piece, which has since been removed to the Germanisches Nationalmuseum, is now believed to be the work of the Master of the Bamberg Altar.
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| - Meister des Imhoff-Altars (de)
- Maestro dell'Altare Irnhoff (it)
- Master of the Imhoff Altar (en)
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| - Als Meister des Imhoff-Altars wird ein gotischer Maler bezeichnet, der vermutlich um 1420 im Nürnberg des Mittelalters tätig war. Der namentlich nicht bekannte Künstler erhielt seinen Notnamen nach einem von ihm zwischen 1418 und 1422 geschaffenen Flügelaltar. Dieser Marienaltar war von dem Patrizier Konrad Imhoff für die Kirche St. Lorenz in Nürnberg gestiftet worden. (de)
- The Master of the Imhoff Altar (fl. c. 1410–1420) was a German painter. His name comes from an altarpiece, dating to between 1418 and 1422, commissioned by Konrad Imhoff for the Lorenzkirche in Nuremberg. Only the central panel, depicting the Coronation of the Virgin, and the wings, depicting several apostles, are still preserved in the church, albeit partially disassembled. On the inner wings, flanking the Coronation, may be found a donor portrait of the donor with three of his four wives. Originally the back of the altarpiece held an image of Christ as the Man of Sorrows, with the Virgin Mary and Saint John. This piece, which has since been removed to the Germanisches Nationalmuseum, is now believed to be the work of the Master of the Bamberg Altar. (en)
- Il Maestro dell'Altare Irnhoff (... – ...; fl. XV secolo) è stato un pittore anonimo tedesco attivo all'inizio del XV secolo. Prende il suo nome dall'Altare della Vergine, commissionato nel 1420 da per la chiesa di San Lorenzo di Norimberga e ivi conservato. Al centro è l'Incoronazione della Vergine, sulle ante sono gli Apostoli; il rovescio della tavola centrale con il Ecce Homo è ora conservato al museo di Norimberga. (it)
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| - Als Meister des Imhoff-Altars wird ein gotischer Maler bezeichnet, der vermutlich um 1420 im Nürnberg des Mittelalters tätig war. Der namentlich nicht bekannte Künstler erhielt seinen Notnamen nach einem von ihm zwischen 1418 und 1422 geschaffenen Flügelaltar. Dieser Marienaltar war von dem Patrizier Konrad Imhoff für die Kirche St. Lorenz in Nürnberg gestiftet worden. (de)
- The Master of the Imhoff Altar (fl. c. 1410–1420) was a German painter. His name comes from an altarpiece, dating to between 1418 and 1422, commissioned by Konrad Imhoff for the Lorenzkirche in Nuremberg. Only the central panel, depicting the Coronation of the Virgin, and the wings, depicting several apostles, are still preserved in the church, albeit partially disassembled. On the inner wings, flanking the Coronation, may be found a donor portrait of the donor with three of his four wives. Originally the back of the altarpiece held an image of Christ as the Man of Sorrows, with the Virgin Mary and Saint John. This piece, which has since been removed to the Germanisches Nationalmuseum, is now believed to be the work of the Master of the Bamberg Altar. It is believed by some historians that the Master of the Imhoff Altar is also the so-called Master of the Deichsler Altarpiece, whose work is known from two surviving altarpiece wings in Berlin. Attempts have been made to link both artists to Berthold Landauer, but these have been based entirely on his activity in Nuremberg at the time in question. The Deischler paintings are believed to predate the Imhoff Altar by five to ten years, and are the work of an artist deeply familiar with the art of Bohemia from around 1400. The Imhoff Altar, by contrast, represents a marked shift towards a firmer and sparer manner, coupled with the use of stronger colors. (en)
- Il Maestro dell'Altare Irnhoff (... – ...; fl. XV secolo) è stato un pittore anonimo tedesco attivo all'inizio del XV secolo. Prende il suo nome dall'Altare della Vergine, commissionato nel 1420 da per la chiesa di San Lorenzo di Norimberga e ivi conservato. Al centro è l'Incoronazione della Vergine, sulle ante sono gli Apostoli; il rovescio della tavola centrale con il Ecce Homo è ora conservato al museo di Norimberga. Precedentemente nel 1400, probabilmente realizza l'Altare Deischler, di cui restano le portelle con Santi, la Madonna col Bambino e San Pietro martire, tavole ora divise nei musei di Berlino con figurette slanciate ma di modi più austeri a confronto con la coeva arte boema da cui pur tuttavia deriva. L'Altare Imhoff raggiunge modi ancora più austeri e ieratici come nell'Incoronazione dove la Vergine e Cristo, assisi l'uno accanto all'altro, sono formati da solide volumetrie messe in risalto dal plastico chiaroscuro, avvolte da un drappeggio sobrio e netto. (it)
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