The Master of the Schöppingen Altarpiece was a German artist active in the area around Münster between 1445 and 1470. It appears likely that he studied in the Netherlands, and was influenced by the work of Robert Campin and Rogier van der Weyden. His name is derived from an altarpiece, dated to about 1470, that hangs in the parish church of Schöppingen. At the center of the painting is a depiction of the Crucifixion, along with four scenes from the Passion, which have been integrated into the background landscape. On the interior of the wings are eight more Passion scenes, while on their exterior are representations of the Annunciation and the Nativity. Of these, the former appears to have been derived from the Altarpiece of Saint Barbara painted by Campin, while the latter is an original
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| - Meister des Schöppinger Altars (de)
- Maître du Retable de Schöppingen (fr)
- Maestro dell'Altare di Schöppingen (it)
- Master of the Schöppingen Altarpiece (en)
- Mistrz Ołtarza z Schöppingen (pl)
- Mestre do Altar de Schöppinger (pt)
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| - Meister des Schöppinger Altars (auch: Meister von Schöppingen oder Schöppinger Meister) ist der Notname eines vermutlich um 1450 bis 1475 in Münster tätigen Malers. (de)
- Le Maître du Retable de Schöppingen (aussi Maître de Schöppingen) est le nom de convention d'un maître anonyme, peintre actif à Münster d'environ 1440 à 1470. L'artiste inconnu est appelé ainsi d'après une importante œuvre tardive, le retable de l'église Saint-Brice de Schöppingen. Le panneau central montre une scène de Crucifixion. Les volets contiennent une Nativité, l’Annonciation et des scènes de la Passion. (fr)
- Mistrz Ołtarza z Schöppingen – niemiecki malarz aktywny w latach 1445-1470 w Münster w Westfalii. (pl)
- O Mestre do Altar de Schöppingen foi um artista alemão que trabalhou na área de Münster entre 1445 e 1470. É provável que tenha estudado na Holanda e tenha recebido influências de artistas como Robert Campin e Rogier van der Weyden. Seu nome deriva de um altar, datado de 1470, que está na igreja de Schöppingen. No centro da pintura está a cena da crucificação de Cristo, junto com quadro cenas de sua Paixão, todas integradas na paisagem. (pt)
- The Master of the Schöppingen Altarpiece was a German artist active in the area around Münster between 1445 and 1470. It appears likely that he studied in the Netherlands, and was influenced by the work of Robert Campin and Rogier van der Weyden. His name is derived from an altarpiece, dated to about 1470, that hangs in the parish church of Schöppingen. At the center of the painting is a depiction of the Crucifixion, along with four scenes from the Passion, which have been integrated into the background landscape. On the interior of the wings are eight more Passion scenes, while on their exterior are representations of the Annunciation and the Nativity. Of these, the former appears to have been derived from the Altarpiece of Saint Barbara painted by Campin, while the latter is an original (en)
- Il Maestro dell'Altare di Schöppingen (... – ...; fl. XV secolo) è stato un pittore anonimo tedesco attivo a Münster tra il 1445 e il 1470. L'anonimo artista tedesco, formatosi nei Paesi Bassi, dove subì l'influenza sia di Robert Campin (noto anche come Maestro di Flémalle) sia di Rogier van der Weyden, deve il suo nome all'altare a portelle della parrocchiale di Schöppingen, databile al 1470 circa. Al centro dell'altare vi è la Crocifissione e quattro scene della Passione, integrate nello stesso paesaggio della tavola centrale; sull'interno delle portelle vi sono otto Scene della Passione, mentre sulle portelle esterne sono presenti l'Annunciazione (un'imitazione fedele dall'Altare di Santa Barbara del Maestro di Flémalle) e la Natività, forse eseguita in base a un originale oggi scompars (it)
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| - Meister des Schöppinger Altars (auch: Meister von Schöppingen oder Schöppinger Meister) ist der Notname eines vermutlich um 1450 bis 1475 in Münster tätigen Malers. (de)
- Le Maître du Retable de Schöppingen (aussi Maître de Schöppingen) est le nom de convention d'un maître anonyme, peintre actif à Münster d'environ 1440 à 1470. L'artiste inconnu est appelé ainsi d'après une importante œuvre tardive, le retable de l'église Saint-Brice de Schöppingen. Le panneau central montre une scène de Crucifixion. Les volets contiennent une Nativité, l’Annonciation et des scènes de la Passion. (fr)
- The Master of the Schöppingen Altarpiece was a German artist active in the area around Münster between 1445 and 1470. It appears likely that he studied in the Netherlands, and was influenced by the work of Robert Campin and Rogier van der Weyden. His name is derived from an altarpiece, dated to about 1470, that hangs in the parish church of Schöppingen. At the center of the painting is a depiction of the Crucifixion, along with four scenes from the Passion, which have been integrated into the background landscape. On the interior of the wings are eight more Passion scenes, while on their exterior are representations of the Annunciation and the Nativity. Of these, the former appears to have been derived from the Altarpiece of Saint Barbara painted by Campin, while the latter is an original composition. Other works ascribed to the Master's hand include an altarpiece at Haldern, today held in the Westphalian State Museum of Art and Cultural History, as is a panel from a now-disbanded altarpiece depicting Saint Nicholas and the Fathers of the Church. Also believed to be by him are a mural fragment in the Münster Cathedral and an altarpiece, dated to before 1470, that stood in the Wiesenkirche of Soest before its destruction in 1945.
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- Il Maestro dell'Altare di Schöppingen (... – ...; fl. XV secolo) è stato un pittore anonimo tedesco attivo a Münster tra il 1445 e il 1470. L'anonimo artista tedesco, formatosi nei Paesi Bassi, dove subì l'influenza sia di Robert Campin (noto anche come Maestro di Flémalle) sia di Rogier van der Weyden, deve il suo nome all'altare a portelle della parrocchiale di Schöppingen, databile al 1470 circa. Al centro dell'altare vi è la Crocifissione e quattro scene della Passione, integrate nello stesso paesaggio della tavola centrale; sull'interno delle portelle vi sono otto Scene della Passione, mentre sulle portelle esterne sono presenti l'Annunciazione (un'imitazione fedele dall'Altare di Santa Barbara del Maestro di Flémalle) e la Natività, forse eseguita in base a un originale oggi scomparso. Dello stesso maestro è l'altare di , conservato al di Münster e classificabile come opera giovanile, e l'Altare della Wiesenkirche di , distrutto nel 1945 e databile verso il 1470. Inoltre gli si attribuiscono un pannello, centro di un altare a portelle disperso, con San Nicola tra i Padri della Chiesa al e un frammento di pittura murale nella cattedrale di Münster. (it)
- Mistrz Ołtarza z Schöppingen – niemiecki malarz aktywny w latach 1445-1470 w Münster w Westfalii. (pl)
- O Mestre do Altar de Schöppingen foi um artista alemão que trabalhou na área de Münster entre 1445 e 1470. É provável que tenha estudado na Holanda e tenha recebido influências de artistas como Robert Campin e Rogier van der Weyden. Seu nome deriva de um altar, datado de 1470, que está na igreja de Schöppingen. No centro da pintura está a cena da crucificação de Cristo, junto com quadro cenas de sua Paixão, todas integradas na paisagem. (pt)
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