Meisen (銘(めい)仙(せん), lit. 'common silk stuff') is a type of silk fabric traditionally produced in Japan; it is durable, hard-faced, and somewhat stiff, with a slight sheen, and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late-Taishō to early-Shōwa period), when it was mass-produced and ready-to-wear kimono began to be sold in Japan. Meisen is commonly dyed using kasuri (Japanese ikat) techniques, and features what were then overtly modern, non-traditional designs and colours. Meisen remained popular through to the 1950s.
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| - Meisen (textile) (en)
- 銘仙 (ja)
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| - 銘仙(めいせん)は、平織した絣の絹織物。鮮やかで大胆な色遣いや柄行きが特徴の、先染め織物である。 本来は、上物の絹織物には不向きな、屑繭や玉繭(2頭以上の蚕が1つの繭を作ったもの)から引いた太めの絹糸を緯糸に使って密に織ったものを指し、絹ものとしては丈夫で安価でもあった。幕末以降の輸出用生糸増産で大量の規格外繭が生じた関東の養蚕・絹織物地帯(後述)で多くつくられ、銘仙の着物が大正から昭和初期にかけて大流行した。 伊勢崎、秩父に始まり、これに、足利、八王子、桐生を加えた5か所が五大産地とされている。 柄は従来の和風のものにとどまらず、アールデコやキュビズムなど西洋芸術の影響を受けたものも多い。銘仙の生産や流通は洋装化により衰退してはいるものの、図柄の文化的・美術的価値は高く評価されており、足利市立美術館やイタリアの首都ローマで展示会が開かれたこともある。 (ja)
- Meisen (銘(めい)仙(せん), lit. 'common silk stuff') is a type of silk fabric traditionally produced in Japan; it is durable, hard-faced, and somewhat stiff, with a slight sheen, and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late-Taishō to early-Shōwa period), when it was mass-produced and ready-to-wear kimono began to be sold in Japan. Meisen is commonly dyed using kasuri (Japanese ikat) techniques, and features what were then overtly modern, non-traditional designs and colours. Meisen remained popular through to the 1950s. (en)
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| - Meisen (銘(めい)仙(せん), lit. 'common silk stuff') is a type of silk fabric traditionally produced in Japan; it is durable, hard-faced, and somewhat stiff, with a slight sheen, and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late-Taishō to early-Shōwa period), when it was mass-produced and ready-to-wear kimono began to be sold in Japan. Meisen is commonly dyed using kasuri (Japanese ikat) techniques, and features what were then overtly modern, non-traditional designs and colours. Meisen remained popular through to the 1950s. The fibre used for meisen is staple fibre (often silk noil), degummed and sized with soy milk, which increases durability and increases the depth and brilliance of the dye colours. Between 1910 and 1925 (late Taishō to Shōwa period), the ability to spin as well as weave noil by machine (see tsumugi) was developed into mass production. Prices dropped drastically, and silk cloth and clothing was suddenly within the budget of most Japanese (who had previously worn asa, domesticated bast fibre, or cotton; see tanmono). (en)
- 銘仙(めいせん)は、平織した絣の絹織物。鮮やかで大胆な色遣いや柄行きが特徴の、先染め織物である。 本来は、上物の絹織物には不向きな、屑繭や玉繭(2頭以上の蚕が1つの繭を作ったもの)から引いた太めの絹糸を緯糸に使って密に織ったものを指し、絹ものとしては丈夫で安価でもあった。幕末以降の輸出用生糸増産で大量の規格外繭が生じた関東の養蚕・絹織物地帯(後述)で多くつくられ、銘仙の着物が大正から昭和初期にかけて大流行した。 伊勢崎、秩父に始まり、これに、足利、八王子、桐生を加えた5か所が五大産地とされている。 柄は従来の和風のものにとどまらず、アールデコやキュビズムなど西洋芸術の影響を受けたものも多い。銘仙の生産や流通は洋装化により衰退してはいるものの、図柄の文化的・美術的価値は高く評価されており、足利市立美術館やイタリアの首都ローマで展示会が開かれたこともある。 (ja)
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