Michelangelo (6 March 1475 – 18 February 1564) had a complicated relationship with the Medici family, who were for most of his lifetime the effective rulers of his home city of Florence. The Medici rose to prominence as Florence's preeminent bankers. They amassed a sizable fortune some of which was used for patronage of the arts. Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII.
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| - Miguel Ángel y los Médici (es)
- Michelangelo and the Medici (en)
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| - Michelangelo di Lodovico Buonarroti Simoni (6 de marzo de 1475 – 18 de febrero de 1564), comúnmente conocido como Miguel Ángel, tuvo una relación complicada con los Médici, una familia noble italiana que tuvo protagonismo entre los siglos XIV y XVIII. La casa Médici obtuvo su fama gracias a sus ilustres banqueros, que amasaban una gran fortuna usada para el patrocinio de las artes. El primer contacto de Miguel Ángel"El Guerrero" con esta familia comenzó siendo él un aprendiz adolescente del pintor florentino, Domenico Ghirlandaio. Siguiendo su trabajo inicial para Lorenzo de' Médici, las interacciones de Miguel Ángel con la familia continuó por décadas e incluyeron a los papas Médici León X y Clemente VII. (es)
- Michelangelo (6 March 1475 – 18 February 1564) had a complicated relationship with the Medici family, who were for most of his lifetime the effective rulers of his home city of Florence. The Medici rose to prominence as Florence's preeminent bankers. They amassed a sizable fortune some of which was used for patronage of the arts. Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII. (en)
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| - Michelangelo di Lodovico Buonarroti Simoni (6 de marzo de 1475 – 18 de febrero de 1564), comúnmente conocido como Miguel Ángel, tuvo una relación complicada con los Médici, una familia noble italiana que tuvo protagonismo entre los siglos XIV y XVIII. La casa Médici obtuvo su fama gracias a sus ilustres banqueros, que amasaban una gran fortuna usada para el patrocinio de las artes. El primer contacto de Miguel Ángel"El Guerrero" con esta familia comenzó siendo él un aprendiz adolescente del pintor florentino, Domenico Ghirlandaio. Siguiendo su trabajo inicial para Lorenzo de' Médici, las interacciones de Miguel Ángel con la familia continuó por décadas e incluyeron a los papas Médici León X y Clemente VII. A pesar de las pausas y las turbulencias en la relación entre Miguel Ángel y los Médici, eran las comisiones de los papas pertenecientes a esta familia las cuales llegaron a ser los mejores trabajos, incluyendo la finalización de la tumba del Papa Julio II con la monumental escultura de Moisés y el Juicio Final, un complejo y humanístico fresco que cubre la pared del altar de la Capilla Sixtina. (es)
- Michelangelo (6 March 1475 – 18 February 1564) had a complicated relationship with the Medici family, who were for most of his lifetime the effective rulers of his home city of Florence. The Medici rose to prominence as Florence's preeminent bankers. They amassed a sizable fortune some of which was used for patronage of the arts. Michelangelo's first contact with the Medici family began early as a talented teenage apprentice of the Florentine painter Domenico Ghirlandaio. Following his initial work for Lorenzo de' Medici, Michelangelo's interactions with the family continued for decades including the Medici papacies of Pope Leo X and Pope Clement VII. Despite pauses and turbulence in the relationship between Michelangelo and his Medici patrons, it was commissions from the Medici Popes that produced some of Michelangelo's finest work, including the completion of the tomb of Pope Julius II with its monumental sculpture of Moses, and The Last Judgement, a complex fresco covering the altar wall of the Sistine Chapel (the earlier Sistine Chapel ceiling was not a Medici commission). (en)
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