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In animation and film, "Mickey Mousing" (synchronized, mirrored, or parallel scoring) is a film technique that syncs the accompanying music with the actions on screen. "Matching movement to music," or, "The exact segmentation of the music analogue to the picture." The term comes from the early and mid-production Walt Disney films, where the music almost completely works to mimic the animated motions of the characters. Mickey Mousing may use music to "reinforce an action by mimicking its rhythm exactly....Frequently used in the 1930s and 1940s, especially by Max Steiner, it is somewhat out of favor today, at least in serious films, because of overuse. However, it can still be effective if used imaginatively". Mickey Mousing and synchronicity help structure the viewing experience, to indicat

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rdfs:label
  • Mickeymousing (ca)
  • Mickey-Mousing (de)
  • Mickey Mousing (eu)
  • Mickey Mousing (it)
  • Mickeymousing (fr)
  • Mickey Mousing (en)
rdfs:comment
  • Mickey-Mousing [ˌmɪkimaʊzɪŋ] bezeichnet eine Filmmusiktechnik, bei der Geschehnisse im Film punktgenau von Musik begleitet werden. Diese oftmals stark akzentuierten musikalischen Elemente finden in dieser Form vor allem in frühen Zeichentrickfilmen von Walt Disney Verwendung, weshalb sich die wohl von David O. Selznick etablierte Bezeichnung Mickey-Mousing in Anlehnung an Disneys Zeichentrickfigur Micky Maus (engl. Mickey Mouse) durchsetzte. Eine abgeschwächte Form des Mickey-Mousing ist das Underscoring. (de)
  • Con l'espressione Mickey Mousing si indica una tecnica di composizione musicale ottenuta sincronizzando le azioni sullo schermo con gli effetti sonori e la musica di accompagnamento, che segue punto per punto l'azione visibile sullo schermo. Il sistema prende il nome dal personaggio di Topolino, Mickey Mouse. Questa tecnica, giunta ai suoi albori presso Walt Disney, era peraltro ricca di suoni onomatopeici che favorivano un effetto umoristico. In seguito, la tecnica si è estesa a numerosi generi cinematografici. (it)
  • En animació, el “mickeymousing” és una tècnica que sincronitza la música d'acompanyament amb les accions en pantalla i les reforça imitant exactament el seu ritme. El terme prové de les primeres produccions de Walt Disney on la música es treballava gairebé en la seva totalitat per imitar els moviments d'animació dels personatges. El primer ús conegut de mickeymousing va ser en Steamboat Willie (1928), el primer curtmetratge de Mickey Mouse de Walt Disney, amb la música de (1888-1974). Les composicions de Stalling van acompanyar a Mickey Mouse, i a alguns dels seus primers companys, i fou un dels primers grans col·laboradors de Walt Disney, que també va posar la música a bona part de la famosa sèrie de curtmetratges sobre faules titulada Silly Symphonies, la primera de les quals va ser The (ca)
  • Mickey Mousing, zinema eta marrazki bizidun teknika bat da, honetan musika eta pantailan agertzen diren ekintza batera sinkronizatu edo uztartzen dira, ekintza horien erritmoa sendotu eta azpimarratuz, eta musikaren bitartez ikusleen arreta ekintza horietara bideratuz. Izena Walt Disneyren lehenbiziko ekoizpenetatik datorkio, musika bere marrazki bizidunetako pertsonaiekin sinkronizatu eta doinuek beren mugimenduak imitatzen baitzituzten. (eu)
  • In animation and film, "Mickey Mousing" (synchronized, mirrored, or parallel scoring) is a film technique that syncs the accompanying music with the actions on screen. "Matching movement to music," or, "The exact segmentation of the music analogue to the picture." The term comes from the early and mid-production Walt Disney films, where the music almost completely works to mimic the animated motions of the characters. Mickey Mousing may use music to "reinforce an action by mimicking its rhythm exactly....Frequently used in the 1930s and 1940s, especially by Max Steiner, it is somewhat out of favor today, at least in serious films, because of overuse. However, it can still be effective if used imaginatively". Mickey Mousing and synchronicity help structure the viewing experience, to indicat (en)
  • Le mickeymousing est une technique de musique de film qui souligne chaque événement du film par la bande sonore. Wilfred Jackson interrogé sur la musique dans Cendrillon (1950) donne la caractéristique suivante aux Mickey Mouse et premiers longs métrages d'animation de Disney, « une musique soigneusement synchronisée avec l'action. » Le paroxysme de ce genre musical lié au cinéma serait Le Mouchard (The Informer, 1935) de John Ford dans lequel même une gorgée de bière est soulignée par la musique de Max Steiner. (fr)
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