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Over 40 settings of the Ordinary of the Mass using the tune L'homme armé survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the Missae L'homme armé are as follows: Probably dating from the 1450s: * (Antoine Busnois) * (Guillaume Dufay) * (Johannes Regis) (two: one lost) * (Johannes Ockeghem) * (Guillaume Faugues) (two) Probably written before 1475: * (Johannes Tinctoris) * (Firminus Caron) * (Cycle of six masses, from an anonymous manuscript from Naples)

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  • Missa L'homme armé (en)
  • Msza L’homme armé (pl)
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  • Msza L’homme armé (Missa L’homme armé) – polifoniczne opracowanie mszy, w którym została wykorzystana jako cantus firmus burgundzka pieśń L’homme armé. Do dnia dzisiejszego zachowało się co najmniej 40 odrębnych kompozycji zatytułowanych Missa L’homme armé. (pl)
  • Over 40 settings of the Ordinary of the Mass using the tune L'homme armé survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the Missae L'homme armé are as follows: Probably dating from the 1450s: * (Antoine Busnois) * (Guillaume Dufay) * (Johannes Regis) (two: one lost) * (Johannes Ockeghem) * (Guillaume Faugues) (two) Probably written before 1475: * (Johannes Tinctoris) * (Firminus Caron) * (Cycle of six masses, from an anonymous manuscript from Naples) (en)
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  • Over 40 settings of the Ordinary of the Mass using the tune L'homme armé survive from the period between 1450 and the end of the 17th century, making the tune the most popular single source from the period on which to base an imitation mass. Some of the Missae L'homme armé are as follows: Probably dating from the 1450s: * (Antoine Busnois) * (Guillaume Dufay) * (Johannes Regis) (two: one lost) * (Johannes Ockeghem) * (Guillaume Faugues) (two) Probably written before 1475: * (Johannes Tinctoris) * (Firminus Caron) * (Cycle of six masses, from an anonymous manuscript from Naples) Probably written before 1500: * (Mathurin Forestier) * (Jacob Obrecht) * Missa L'homme armé super voces musicales (Josquin des Prez) * Missa L'homme armé sexti toni (Josquin des Prez) * (Loyset Compère) * * (Philippe Basiron) * (Antoine Brumel) * (Marbrianus de Orto) Written after 1500: * (Robert Carver) * (Matthaeus Pipelare) * (Pierre de La Rue) (two) * (Cristóbal Morales) (two) * (Francisco de Peñalosa) * (Andreas de Silva) * * (Francisco Guerrero) (two) * (Ludwig Senfl) * Missa L'homme armé (Palestrina) (two) * (Giacomo Carissimi) (en)
  • Msza L’homme armé (Missa L’homme armé) – polifoniczne opracowanie mszy, w którym została wykorzystana jako cantus firmus burgundzka pieśń L’homme armé. Do dnia dzisiejszego zachowało się co najmniej 40 odrębnych kompozycji zatytułowanych Missa L’homme armé. (pl)
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